Participants take part in the annual Great Spitalfields Pancake Race in aid of London's Air Ambulance in London, Britain February 9, 2016. (Photo by Stefan Wermuth/Reuters)

Base jumpers leap from the 300-metre high skydeck of Malaysia's landmark Kuala Lumpur Tower against the backdrop of the city's skyline on October 3, 2016 during the annual International KL Tower Base-Jump event. (Photo by Manan Vatsyayana/AFP Photo)

English comic actor and director Charlie Chaplin (Sir Charles Spencer Chaplin, 1889–1977) seated on straw bales during the filming of “The Circus” with his leading lady Merna Kennedy (1908–1944). (Photo by Margaret Chute/Getty Images). 1928

Filipino boys play basketball at an improvised court hooked on multi-layered tombs at a public cemetery in Navotas, north of Manila, Philippines on Thursday Oct. 31, 2013. Filipinos are expected to flock to cemeteries on November 1 to remember their dead as they observe All Saints Day in this predominantly Roman Catholic country. (Photo by Aaron Favila/AP Photo)

A woman has her hair blown by the wind during a snowstorm in Quebec City, on December 22, 2013. (Photo by Mathieu Belanger/Reuters)

Participants of the the goth festival “Wave Gothic Festival” walk in fancy costumes along the festival area in Leipzig, central Germany, Saturday, May 23, 2015. About 20,000 members of the scene are expected to attend one of the world's largest gothic and “dark” culture festivals until May 25, 2015. (Photo by Jens Meyer/AP Photo)

A woman sits as she gets a tattoo on her leg during the annual Panama City Ink Fest in Panama City August 16, 2015. (Photo by Carlos Jasso/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)