A farmer stands near pumpkins on display on the side of a road near Sanaa, Yemen on February 15, 2025. (Photo by Khaled Abdullah/Reuters)

Honda MotoGP rider Dani Pedrosa (R) of Spain sprays champagne on an attendant next to Yamaha MotoGP rider Valentino Rossi (C) of Italy after winning the Japanese Grand Prix at the Twin Ring Motegi circuit in Motegi, north of Tokyo, Japan, October 11, 2015. Rossi placed second. (Photo by Issei Kato/Reuters)

An Israeli tank moves into position in the Israeli controlled Golan Heights during fighting between forces loyal to Syrian President Bashar Assad and rebels in the Druze village of Khader in Syria, Tuesday, June 16, 2015. As many as 20 members of the Druze minority sect were killed last week, the deadliest violence against the Druze since Syria's conflict started in March 2011, sparking fears of a massacre against the sect. (AP Photo/Ariel Schalit)

A woman holds-up a white T-shirt trying to prevent being shot, as Palestinians flee Gaza City to the southern Gaza Strip on Salah al-Din street in Bureij, Tuesday, November 7, 2023. (Photo by Mohammed Dahman/AP Photo)

Zurich soccer player Loris Benito tries to catch a marten during the Swiss Super League match between FC Thun and FC Zurich in Thun, Switzerland, March 10, 2013. (Photo by Marcel Bieri/Keystone)

Inflatable pools were set up by volunteer youth to cool children living in tents in Khan Yunis city of Gaza under Israeli attacks, on July 18, 2024. (Photo by Hassan Jedi/Anadolu via Getty Images)

An archer in a samurai warrior costume aims at a target in the Asakusa Yabusame horseback archery event at Sumida Park in Tokyo, Saturday, April 18, 2015. (Photo by Shizuo Kambayashi/AP Photo)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.