The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

“In a nutshell and to prevent my english readers from experiencing eye bleeding after having read too many syntax errors, I’m a french journalist – I work as an editor, not as photographer – who happens to be nuts about photography. Being the happy owner of too many Leica M for a man to shoot, I spend most of my free time shooting my friend and my town, Strasbourg, in b&w and sometimes in colors”. – Manuel Plantin

Photo: “Even detectives got the blues”. Strasbourg, 2011 (Photo by Manuel Plantin)

Jakob Wagner was born 1985 in Herdecke, Germany. In summer 2008, he successfully completed his three-year apprenticeship as a photographer. He has since been living in Duesseldorf, where he has mainly been working as a freelance photographer, image editor and photo assistant. His work has taken him to many different countries around the world. When Jakob Wagner is not at work by assignment, he devotes much of his time and passion to his personal photography projects, which will culminate in future books and exhibitions. His photographs are available in signed and limited editions.

Sandrine Kerfante has had a fascination with “doubles” ever since meeting her mother’s twin as a child. In 2012, this lifelong captivation inspired her to create a blog called twin-niwt, which celebrates photographs of doubles in all their forms. “I’m fascinated by the idea of the duo, repetition, symmetry, reflection, mirror games and all the symbolism associated with it”, she says. “I think it’s a topic often present in photography, more or less consciously”. (Photo by Sandrine Kerfante/The Guardian)

Art director Stephen McMennamy puts photos together to create quirky images for his ongoing project “combophoto’s”. Whether it’s a seagull with an airplane tail or a pair of donut headphones, he jots down his inspirations for each piece on his tumblr. Ever since he got interested in photography through instagram in 2012, he also set up an extra account named @combophotofail, where he shares a look behind-the-scenes on how these images are produced.

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

Picture dated October 23rd, 2018 shows brother and sister Henry (7) and Lily Sales (9) getting in some early practice for the World Puddle Jumping Championships at Wicksteed Park in Kettering, Northants, UK. Organisers have made more puddles than ever before in an attempt to make this year's competition the biggest and best yet. They are also hoping competitors will set a new record for the most people jumping in puddles at the same time. Judges will give scores based on the height of the jump, enthusiasm, distance of splash and stickability (the amount of mud which clings to each competitor). (Photo by Geoff Robinson Photography)