Pedestrians walk past an art installation by French street artist James Colomina called the “The Briefcase” (bottom) at Shibuya Crossing in the Shibuya district of central Tokyo on May 20, 2025. The display shows a red briefcase – a symbol of work and conformity – with arms, legs and a tie poking out on the ground to illustrate a “salaryman” who has lost his identity, swallowed by his daily routine. (Photo by Richard A. Brooks/AFP Photo)

An Afghan girl who practices taekwondo poses for a photo in Kabul, Afghanistan, Monday, October 31, 2022. The ruling Taliban have banned women from sports as well as barring them from most schooling and many realms of work. A number of women posed for an AP photographer for portraits with the equipment of the sports they loved. Though they do not necessarily wear the burqa in regular life, they chose to hide their identities with their burqas because they fear Taliban reprisals and because some of them continue to practice their sports in secret. (Photo by Ebrahim Noroozi/AP Photo)

A picture taken with a drone shows a huge work of art created with various flowers and flowering plants in Jacobsdorf, Germany, 29 July 2024. Artist Michael Uy has transformed a piece of fallow land into an insect paradise for bees, bumblebees and butterflies. Using plants, the artist has planted and sown oversized images in the shape of a shell and a winding path of life on a large meadow in Jacobsdorf. (Photo by Hannibal Hanschke/EPA/EFE)

Women work on a colourful display of paper flowers ready to be showcased during the traditional Tet Nguyen Dan festival in Thanh Tien, Vietnam early February 2024. Tet celebrates the arrival of Spring according to the Vietnamese calendar, often celebrated in the early weeks of February, and is this year being held on February 10. (Photo by Nguyen Sanh Quoc Huy/Solent News)

A five-month-old cheetah seated in the back of a Land Cruiser growls at an outstretched hand after being taken from traffickers in Ethiopia and driven to Harirad, Somaliland, in 2020. This photo is part of the work of more than 100 artists in Why We Photograph Animals, a new collection of wildlife photography that aims to help understand why people have photographed animals at different points in history and what it means in the present. (Photo by Nichole Sobecki/Thames & Hudson)

Soldier boys at Fort Dix, N.J., learn something about guns during their working hours, as they show their girlfriends at a camp dance, December 13, 1940. In front row, playing with the coin amusement gun, from left: Pvt. Tom D'Amato of West Orange; Rose Sinkewicz, behind gun site, of Trenton; Julia Ivans of Trenton, and Pvt. Vernon Landers of Kearney. Back row: Pvts. William Sargent and William Corlies of Philadelphia. (Photo by AP Photo)

These portraits reveal the incredibly humanlike expressions of a variety of apes.Through piercing eyes and finite facial details, the intimate photographs show the animals looking angry, sad, delighted and pensive. They are the works of Manuela Kulpa – an IT consultant and keen photographer from near Cologne, Germany – who shot the apes predominantly at zoos across Austria, Belgium, the Czech Republic, Germany and the Netherlands. Here: Bonobo, Azibo. (Photo by Manuela Kulpa/Caters News)

Balinese Hindus carry Pratimas, or symbols of God, on the beach during Melasti, a purification ceremony, ahead of the holy day of Nyepi, in Gianyar on the Indonesian resort island of Bali, March 6, 2016. Nyepi is a day of silence to celebrate the Balinese new year, reserved for self-reflection, where people are not allowed to use lights, light fires, work, travel or enjoy entertainment. (Photo by Roni Bintang/Reuters)