Call Parade is an ongoing public art project in São Paulo sponsored by Brazilian telecommunications firm Vivo, that paired 100 artists with 100 street-side phone booths giving them free reign to transform the peculiar hooded fixtures into anything imaginable. The exhibition has proven to be extremely popular and Brazilian photographer Mariane Borgomani set out to capture a number of the phones, my favorite of which is the painted day/night treatment above by artist Maramgoní.

Kim Joon is a Korean artist who specializes in creating images that resemble hollow porcelain human body parts painted in bold patterns from famous ceramic brands including Royal Copenhagen, Herend, and Villeroy & Boch. His latest project is called The Rocker and features a number of pictures of porcelain hands laying on a dish patterned in style of different famous rock bands of the past. The images are so vivid that it makes you think that these hands are actually real and not digitally crafted, though it would be amazing, if someone were to actually make a creation such as this in real life. (Photo by Kim Joon)

Why would you want to buy a Christmas tree if you have a luscious full beard? Or maybe you have a friend that is willing to volunteer? Just glue some ornaments onto his facial forest and make him stand in the corner. Just don’t forget to feed him! You don’t want your Christmas tree to go bad before the holidays are over! Stephanie Jarstad had created something similar in her project, The Twelve Bears of Christmas, in order to honor the Decembeard (much like Movember), in order to bring awareness to Men’s health problems. (Photo by Stephanie Jarstad)

A boy looks at a six-metre tall luminescent puppet, operated by ten performers, during a preview of Vivid Sydney, promoted as the world's largest festival of light, music and ideas, in Sydney, Australia on May 23, 2018. “Vivid” is a major outdoor cultural event featuring light installations and projections with the annual event this year running from May 25 to June 16, 2018. (Photo by David Gray/Reuters)

Chinese artist Zhou Jie takes a nap on an unfinished iron wire bed, one of her sculpture works, after lunch at Beijing Now Art Gallery, in Beijing August 11, 2014. Zhou started her art project titled “36 Days” on August 9, in which she would live inside an exhibition hall with an unfinished iron wire bed, some iron wire sculptures in the shape of stuffed animal dolls, a certain amount of food and her mobile phone, for 36 days. The entire process is open to visitors and she may also interact with them, according to Zhou. (Photo by Jason Lee/Reuters)

A handout photo made available by the World Press Photo (WPP) organization on 13 February 2017 shows a picture by Rossiya Segodnya photographer Valery Melnikov that won the Long-Term Projects – First Prize award of the 60th annual World Press Photo Contest, it was announced by the WPP Foundation in Amsterdam, The Netherlands on 13 February 2017. Caption: Civilians escape from a fire at a house destroyed by an air attack in the Luhanskaya village. (Photo by Valery Melnikov/EPA/Rossiya Segodnya/World Press Photo)

Kenyan photographer and art director Barbara Minishi (L) takes pictures of her room mate and fashion stylist Wambui Thimba (R) wearing a creation by a Kenyan fashion designer on the rooftop of their apartment in Nairobi, Kenya, on June 1, 2020. After their scheduled works was cancelled due to the spread of the COVID-19 coronavirus, Minishi and Thimba have started their own project called “the Kenya Fashion & Style Diary in 21 days” to showcase a Kenyan fashion brand everyday for 3 weeks on social networking services since May 22, 2020 by only shooting at their apartment. (Photo by Yasuyoshi Chiba/AFP Photo)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)