A woman rides the world's longest urban zip line, with a speed of up to 80 kilometers per hour on a one kilometer run from 170 meter to ground level, in the Marina district of Dubai, United Arab Emirates, Tuesday, December 5, 2017. (Photo by Kamran Jebreili/AP Photo)

Military items for women are seen in a store in Erbil, Iraq January 24, 2017. (Photo by Marius Bosch/Reuters)

A woman tries to catch snowflakes with her tongue during a snowfall on Chandragiri Hills in Kathmandu, Nepal on January 23, 2019. (Photo by Navesh Chitrakar/Reuters)

TV prosthetics artist Rene Abelardo tries on a sample of his prosthetic face mask, his latest creation as TV projects took a halt amid the coronavirus disease (COVID-19) outbreak, in San Pedro, Laguna, Philippines, June 17, 2020. (Photo by Eloisa Lopez/Reuters)

A greater bird of paradise (Paradisaea apoda) displaying in Badigaki Forest, Wokam Island (Aru Islands, Indonesia). Found here in Aru and on adjacent New Guinea, the greater bird of paradise represents about 40 different species of birds of paradise that depend on intact rainforest across the New Guinea region spanning eastern Indonesia and Papua New Guinea. With more than 80% of forest cover still intact, this region represents the largest remaining block of rainforest in the entire Asia-Pacific. (Photo by Tim Laman/naturepl.com/LDY Agency)

A participant of the “Mrs Universe 2015” contest from Caribbean Coast, Mayra Joli poses for a photo with a woman during their visit in central botanical garden in Minsk, Belarus, August 25, 2015. (Photo by Vasily Fedosenko/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Manuela Vargas at a dress rehearsal for “The Tigress of the Flamenco” given by her company at the Vaudeville Theatre, London. (Photo by Dennis Oulds/Central Press/Getty Images). 4th November 1964