Lisandra Perez, 7, practices in his house before his flute lesson at the Integral System of Artistic Education for Social Inclusion (SIFAIS) center in the poor neighborhood of La Carpio, Costa Rica October 8, 2015. SIFAIS center is developing a social program with the help of 156 volunteers who teach art, music, sports and education, for children and youth living in La Carpio, known for being the home to gangs, violence, drugs and social vulnerability, according to the centre. (Photo by Juan Carlos Ulate/Reuters)

“Stephen Gough (born c. 1959), also known as Steve Gough and the Naked Rambler, is an activist, and a British former Royal Marine. In 2003-2004, he walked the length of Great Britain naked. He did it again in 2005-2006, but was arrested in England and in Scotland. He subsequently spent six years in prison, having been repeatedly rearrested for public nudity within a short period, each time he was released. He has spent most of his sentences in Saughton and Perth prisons, in Scotland”. – Wikipedia

Photo: Stephen Gough the naked rambler makes his way south through Peebles in the Scottish Borders, following his release from Saughton Prison yesterday after serving his latest sentence on October 6, 2012 in Peebles, Scotland. (Photo by Jeff J. Mitchell)

This 1931 Stutz DV-32 convertible sedan has 66,000 miles on its odometer and its original leather luggage awaits its first complete restoration Tuesday, March 5, 2013 at L'Cars Automotive Specialties in Cameron, Wis. The company which does high-end restoration and customization work classic cars that have won awards at the world-renowned Pebble Beach Concours d'Elegance. Winning cars include a 57c Bugatti, Rolls Royce PIII V12, V12 Aero coupe, T44 Bugatti, T55 Bugatti, T38A Bugatti, Mercedes Benz 290 Roadster, Rolls Royce Silver Ghost, T57 Bugatti, 1929 Duesenberg J, Mercedes Benz 540K cabriolet, Talbot Teardrop and a 1931 V16 Cadillac convertible. (Photo by Mark Hoffman)

“The Duke and Duchess of Cambridge”, “The Queen” and “Prince Harry” outside the Summerhall arts venue in Edinburgh, Scotland, where their creator Alison Jackson is holding a live performance of her work called La Trashiata. Debuting at the Edinburgh Festival Fringe and broadcast to Odeon Cinemas in association with Hibrow Productions, “La Trashiata” will feature a roster of Alison Jackson's brilliant lookalikes singing some of opera's most famous arias. The stage will be set for uncanny doppelgangers to each take to the stage and perform their amusingly appropriate song. (Photo by James Glossop/The Times/SIPA Press/News Syndication)

Michael Massaia's photographs are as nostalgic as they are disturbing. His long-exposure images capture a subject matter familiar to most. From a SpongeBob SquarePants popsicle to a Neapolitan ice cream sandwich, he frames the frozen treats most people's summer memories are made of. Yet, Massaia doesn't just realistically render his ice cream. He distorts the childhood favorites by melting them before his lens, until the pops resemble ominous pools of paint or celestial snapshots.

Graffiti is painted on the bathroom walls at a restaurant in the Williamsburg area of Brooklyn borough in New York, United States, October 1, 2015. Some 2.4 billion people around the world don't have access to decent sanitation and more than a billion are forced to defecate in the open, risking disease and other dangers, according to the United Nations. To mark World Toilet Day on November 19, Reuters photographers captured pictures of toilets in cities, towns and villages around the globe. (Photo by Shannon Stapleton/Reuters)

“Check out this praying mantis totally bossing a trek through the Borneo jungle – on the back of a snail. Yes, it may not be the fastest mode of transport for the discerning traveller, but at least the green chap isn't getting his feet wet. The slightly sinister sight was captured by snapper Nordin Seruyan in central Borneo”. – Sara C. Nelson via Barcroft Media. (Photo by Nordin Seruyan/Barcroft Media)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.