A photo taken on November 17, 2021 shows two glass recycling containers transformed as part of the new GAU project (Gallerie Urbane di Città Ideale, or Urban Galleries of the Ideal City), promoted by the cultural association Progetto Goldstein, in the Circonvallazione cornelia street of Rome. The project is transforming 34 containers for the separate collection of glass into artists' canvases with a special tribute to poet Dante and his Divine Comedy. (Photo by Tiziana Fabi/AFP Photo)

A schoolgirl is soaked with water thrown by an elephant in a preview of the upcoming Songkran Festival celebration, the Thai traditional New Year, also known as the water festival in the ancient world heritage city of Ayutthaya, Thailand, 11 April 2016. The annual elephant Songkran is held to promote the tourism industry prior the three-day Songkran Festival which starts on 13-15 April annually and is celebrated with splashing water and putting powder on each others faces as a symbolic sign of cleansing and washing away the sins from the old year. (Photo by Diego Azubel/EPA)

Artist Leiomy performs at the Sissy Ball in Sydney, Australia on February 24, 2018. The Sissy Ball is a celebration of voguing – a style of modern dance, a form of self-expression, and a powerful movement that has become a representation for the sociopolitical struggles of the LGBTQI+ community. (Photo by Ken Leanfore/Red Bull Music)

As an airliner prepares to land, a bird takes off at the Gravelly Point park near Reagan National Airport in Arlington, Va. on December 23, 2018. (Photo by Michael S. Williamson/The Washington Post)

A picture taken on April 18, 2020 in Sainte-Croix shows a scultpure representing a man wearing a facemask as a preventive measure against the Covid-19 coronavirus in a field. (Photo by Fabrice Coffrini/AFP Photo)

A worker covers mounds of rice with a giant hat-shaped bamboo cone in a field in Brahmanbaria, Bangladesh on September 21, 2023 after they have been dried in the scoring sun. (Photo by Joy Saha/Rex Features/Shutterstock)

British sculptor Laurence Edwards' striking bronze figures, Walking Men, at Blenheim Palace in Oxfordshire, UK on April 9, 2024. The 8ft tall figures are seen to be anti-heroic and seem to have come from the earth itself. Branches, leaves and clods of clay are woven through them, making it unclear where human and ground begin and end. (Photo by Pete Seaward/South West News Service)

People visit an installation by the American sculptor, Carole Feuerman, during the exhibition of her hyperrealistic sculptures at Pier 17 in the trendy neighbourhood of Seaport in New York City on June 1, 2024. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)