Brides and grooms sit on top of an Indonesian Army vehicle during a mass wedding ceremony organized in Jakarta, Indonesia, Wednesday, January 28, 2015. More than 5000 couples participated on a mass wedding ceremony to legalized the previous religious marriage ceremonies. Most of the couples have not officially registered their marriage for economic reasons as it cost up to 500,000 IDR (35 euro) to legalized a marriage. The ceremony organized by Rajawali Foundation. (Photo by Achmad Ibrahim/AP Photo)

These stunning coloured images show detailed x-ray images of everything from skulls to light bulbs. Artist Paula Fontaine, from Westminster Massachusetts, created the images using a process called digital map painting. To create the images the x-ray emission source – the head of the machine on an arm which focuses the beam – is placed over the object. Paula then retreats behind a shielded screen before activating the x-ray exposure. Here: Brain storm, conceptual composite X-ray. (Photo by Paula Fontaine/Barcroft Media)

In a photo taken on June 5, 2017 a traffic security officer stands on duty at an intersection in Pyongyang. Officially known as traffic security officers but universally referred to as traffic ladies, they are chosen for their looks in a society that remains traditionalist in many respects. They must leave the role if they marry, and have a finite shelf-life, with compulsory retirement looming at just 26. (Photo by Ed Jones/AFP Photo)

Organizers of an exhibition of ancient instruments of torture in Huai'an, Jiangsu province, have suggested that children, heart disease patients and people with high blood pressure stay away because of the vivid depictions of shocking cruelty. The exhibition has more than 200 instruments of torture on display in the 50,000-square-meter exhibition halls of a restored ancient building. Wax figures, along with sound and light techniques, are incorporated for scary effect. The local government said the exhibition is for tourists and historians to research ancient torture practices. (Photo by ChinaFotoPress)

A Flemish demonstrator, one of thousands who gathered for a march through Brussels to protest against what the Flemings call their subjucation by the French-speaking Walloons, draws back as he is jeered by a crowd of Walloons on the pavement in a Brussels Street, on October 14, 1962. The Flemish demonstrators clashed with Walloon counter demonstrators as riot police sought to maintain order. The Flemings claim that although they form 60% of the population in Belgium, they are inadequately represented in the government, and they say, the Walloons get most of the top jobs in the armed forces and the diplomatic service. (Photo by AP Photo)

Tim Laman is a field biologist and wildlife photojournalist. His pioneering research in the rain forest canopy in Borneo led to a PhD from Harvard and his first National Geographic article in 1997. Since then, he has pursued his passion for exploring wild places and documenting little-known and endangered wildlife by becoming a regular contributor to National Geographic. He has eighteen articles to his credit to date, all of which have had a conservation message. Some have focused on endangered species such as Orangutans or Hornbills, while others, such as a series of articles on Conservation International’s Biodiversity Hotspots, have highlighted regions under intense pressure.

These photographs are the work of urban explorer Dr Bradley Garrett who made headlines back in 2012 when he posted a series of snaps from the top of The Shard skyscraper while it was still under construction. Garrett, now a researcher at the University of Oxford, took these shots during his time with the London Consolidation Crew (LCC), a loose collection of urban explorers based in the English capital. Photo: Bradley Garrett stands on the edge of the Ritz-Carlton Chicago as lightning strikes in the distance in Chicago, US. (Photo by Bradley L. Garrett/Barcroft Media)

British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)