For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)

The Kremlin's Spasskaya (Saviour) Tower, covered by scaffolding, is seen behind the mausoleum of Soviet state founder Vladimir Lenin at the Red Square in Moscow, December 23, 2014. The restoration works will last until the spring of 2015, according to local media. (Photo by Sergei Karpukhin/Reuters)

Mailin Gobbo reacts as she leaves the courtroom after hearing a judge acquit former Catholic Priest Carlos Eduardo Jose, who she says sexually abused her for years when she was an adolescent, in San Martin, Argentina, Tuesday, March 9, 2021. The court acquitted the 62-year-old, citing the statute of limitations had run out. (Photo by Natacha Pisarenko/AP Photo)

Skiers take part in the Skicolor event where they are sprayed with biodegradable color powders as part of carnival celebrations in the alpine resort of La Tzoumaz, Switzerland on February 23, 2020. (Photo by Valentin Flauraud/EPA/EFE/Rex Features/Shutterstock)

A young woman shows off her henna tattoos at the end of Eid al-Fitr prayers in Bucharest, Romania, Wednesday, April 10, 2024. Members of the Romanian Muslim community joined prayers at the Dinamo stadium in the Romanian capital, in the largest Muslim public gathering of the year. Eid al-Fitr marks the end of the holy fasting month of Ramadan. (Photo by Andreea Alexandru/AP Photo)

British troops covered in flames from a petrol bomb thrown during a violent protest by job seekers, who say they were promised employment in the security services, in the southern Iraq city of Basra, March 22, 2004. (Photo by Atef Hassan/Reuters)

A couple enjoys the view of the ethnographic and amusement center Kremlin in Izmailovo reflected in the Serebryano-Vinogradnii lake in Moscow, Russia on July 30, 2017. (Photo by Mladen Antonov/AFP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)