A member of the Qinghai Acrobatic Troupe checks her hair with a smartphone during a media preview for the world premiere of cabaret show “Shanghai Mimi” as part of Sydney Festival in Chinatown, central Sydney, Australia, 08 January 2019. Sydney Festival 2019 runs from 09 to 27 January and will feature theatre, dance, circus, music, visual arts and talks from international and local artists. (Photo by Steven Saphore/EPA/EFE)

A man reacts inside the projection mapping and interactive installation known as “Illusion Road” at the multi-dimensional media art gallery Immersify KL in Kuala Lumpur, Malaysia, 04 March 2025. Immersify KL attracts visitors with interactive installations, high-definition visuals, and 3D spatial sound, creating breathtaking zones, including the country's first 360-degree, 12-meter-high projection space inside a 30,000-square-foot area with 11 sections of different immersive zones. (Photo by Fazry Ismail/EPA)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

After school and civil service, Thomas Mangold went off to study Visual Communications in Dortmund where he still lives. During these studies, he had the opportunity for an internship at the advertising agency Grey Dusseldorf and also began to receive invites to publish his photographic series in magazines. Around this time, a new professor at the college arranged a one week intensive seminar in Strata 3D.

Children play at the Ryoji Ikeda exhibition “the transfinite” at the Park Avenue Armory on June 10, 2011 in New York City. The audio visual installation, which will close after tomorrow, features two back-two-back screens displaying a continual loop of sounds, fragments of numbers and strobe-lit patterns that echo the Japanese artist's interest in mathematics, the subconscious and the digital world. (Photo by Spencer Platt/Getty Images)

Dutch artist Suzan Drummen‘s large-scale floor installations are mesmerizing and complex circular patterns made out of mirrors and brightly colored glass. The fractal-like arrangements feature ornate and elaborate circles growing exponentially out of each other and vibrant rings of spiraling colors winding into the surface of the floor. They are composed of crystals, chromed metal, precious stones, mirrors and optical glass. A sensory experience, and visually stimulating, the glittering installations play with the architecture of the space — climbing up walls and sweeping across the surfaces — examining the idea of illusion and optical effects.