Women wearing face-kini masks lie on a beach to rest in Qingdao, Shandong province, China, June 3, 2015. A pale complexion is highly prized as delicate and feminine in China while dark skin suggests tanning caused by farming the fields or other lowly, outdoor work. (Photo by Reuters/Stringer)

Employees wear "No-Face" masks during working hours at a service company in Handan, Hebei Province of China. As a service company, staff must smile to customers every day. On “No-Face Day”, staff wore masks to hide their facial expressions and allow them to relax. No-Face is a character in the 2001 animated movie “Spirited Away”, a silent masked creature who has no facial expressions.

Ice covered leafs are pictured on a tree near Amstall in northern Austria, December 2, 2014. Freezing fog and rain covered parts of the region with ice, causing blocked roads due to fallen trees and closed schools for security reasons, local media report. (Photo by Heinz-Peter Bader/Reuters)

An Iraqi woman, dressed as Santa Claus, rides her bicycle amid the spread of the coronavirus in the old city of Mosul, Iraq, December 18, 2020. (Photo by Abdullah Rashid/Reuters)

Iranian soccer fan wait for the start of the group B match between Iran and Spain at the 2018 soccer World Cup in the Kazan Arena in Kazan, Russia, Wednesday, June 20, 2018. (Photo by Diego Azubel/EPA/EFE)

Tempering the violence of modern weaponry with charmingly rendered creatures, artist Xiau-Fong Wee captures a dark humor in her quirky drawings. While some of the weapons appear terrifyingly realistic, others such as in the ray gun wielding bunny portrait, speaks more to the fantastical worlds of science fiction. The anthropomorphic dispositions of the spectacle-wearing creatures also range in merry reverie to stern seriousness, adding to the delightful nature of these well-executed portraits. View more of the drawings below.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)