Susan Lordi's art reflects our relationships with people and the world around us. Her keen observation of the human form is further inspired by dance, art history, nature, and personal experiences with family and friends. These influences are revealed in her Willow Tree® sculptures, from which emotion is communicated through gestures only.

Artist Jeff Uitto creates intricate sculptures from driftwood he finds along the coast of Washington. Uitto has sculpted wild horses, soaring eagles, and even a giraffe out of salvaged tree branches. But his work is more than giant animal sculptures. Uitto also has a clear talent for creating beautiful home furniture from driftwood. Finding the right piece of driftwood can take months, and the sculpting can take years.

Photo: A horse sculpture entirely made from driftwood by artist Jeffro Uitto. (Photo by Jeff Uitto/Caters News)

American sculptor Michael Alfano has been sculpting for over fifteen years. A native of New York, he now lives and works in Hopkinton, Massachusetts. His major influences are Salvador Dali, Jo Davidson, and Jean-Antoine Houdon, as well as Buddhist, Taoist, Sufi and other eastern philosophy and literature. He first studied at the Art Students League of New York, with an emphasis on life-size sculpture from the model. His formal education continued at Boston University and was augmented by internships with several prominent sculptors.

French sculptor Pierre Matter was born in 1964. “A mystical child, then a tormented teenager, he studied mathematics half-heartedly. It was only logical that he headed naturally, though initially in an erratic manner, for the mysterious universe of artistic creation. His slow progression in this field led him to try out many kinds of expression and material, from oil to gouache to ink, from comic strips to canvas, and also bas-relief in stone.”

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Slovenian artist Franc Grom, aged 72, makes unbelievably intricate egg sculptures using just a tiny electric drill and enormous patience. According to National Geographic, when finished, each egg contains approximately 2,500 to 3,500 holes. While Slovene artisans usually paint their eggs using a technique called drsanka by lightly scratching intricate patterns into the surfaces of colored eggs, carving them was solely Grom’s idea.

The photography duo of Floto+Warner created the series, “Colorant”, from an idea that stemmed out of a previous series and the fascination of landscapes, with results that leave one in awe. Creating shapes, not experienced in nature, they tossed colored water in the air to capture “a momentary graffiti of air and space”. Using a high shutter speed to capture these fleeting moments, Floto/Warner has produced a multi-medium series with jaw-dropping results. Photo: “Orange Salt Flats”. (Photo by Floto/Warner)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.