In this Saturday, February 18, 2017 photo, revelers take part in the “Guanabara Pearl” carnival street party on Paqueta Island in Rio de Janeiro, Brazil. Merry makers ferried across Guanabara Bay to Paqueta Island for the parade. (Photo by Mauro Pimentel/AP Photo)

People attend a master class in Latin American dances on the deck outside No 84 Pavilion in VDNKh Exhibition Centre in Moscow, Russia on July 4, 2020. The event opens this year's season of outdoor dancing in VDNKh. (Photo by Artyom Geodakyan/TASS)

A restaurant worker wearing a mask cleans the windows as the restaurant reopens amid the COVID-19 pandemic in Sao Paulo, Brazil, Monday, July 6, 2020. Bars, restaurants and beauty salons were allowed to re-open Monday after over three months of quarantine, and are required to observe preventative measures and reduced operating hours only during the day. (Photo by Andre Penner/AP Photo)

Cast member, American actress Sydney Sweeney attends the premiere of Neon's “Immaculate” during Beyond Fest at The Egyptian Theatre Hollywood on March 15, 2024 in Los Angeles, California. (Photo by Mario Anzuoni/Reuters)

A view of northern lights over the skies of Sodankyla, Lapland, Finland, on October 7, 2024. (Photo by Alexander Kuznetsov/All About Lapland/Handout via Reuters)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Daughter being told off by her mother. (Photo by Peter Dazeley/Getty Images)