Giving out with a yell, Elke Sommer is tossed on the trampoline as she trains for her movie role as an athlete, on the playing field of the University of California at Los Angeles, June 8, 1967. (Photo by AP Photo)

Actors wrapped in blankets react at the set of the post-apocalyptic movie “Zombie Era” at an abandoned factory complex in Langfang, Hebei province, China December 16, 2016. (Photo by Damir Sagolj/Reuters)

Adventurer Sam Cossman movies towards the huge lava lake wearing a custom built industrial proximity heat suit on December 20, 2014 in Ambrym, Vanuatu. (Photo by Conor Toumarkine/Barcroft Media)

Fishermen pull up a live 2.5 metre crocodile in their net in the Western Amazon region, Brazil on September 20, 2017. The fishermen were fishing for a large river fish called Arapaima but sometimes crocodiles become stuck in the nets as well. (Photo by Carl de Souza/AFP Photo)

A resident walks on a makeshift walkway above a flooded street from the rising Rio Solimoes, one of the two main branches of the Amazon River, in Careiro da Varzea of Amazonas State, Brazil, June 30, 2015. According to the state Civil Defense, more than 460,000 people were affected by strong rains in the state. (Photo by Bruno Kelly/Reuters)

Claudionor Jose de Deus, wearing a Santa Claus costume, arrives at Santa Rosa community to distribute presents to children, on the shores of the Amazon River in rural Manaus, Brazil, December 19, 2015. Jose de Deus is part of a volunteer group that distributes toys to children from poor neighborhoods and riverside communities that are distant from the city. (Photo by Bruno Kelly/Reuters)

An indigenous woman holds her child while trying to resist the advance of Amazonas state policemen who were expelling the woman and some 200 other members of the Landless Movement from a privately-owned tract of land on the outskirts of Manaus, in the heart of the Brazilian Amazon, in this March 11, 2008 file photo. (Photo by Luiz Vasconcelos-A Critica/Reuters/AE)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.