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Wax figures with torture instrument named “torture-rack” are seen on October 25, 2014 in Huai'an, Jiangsu province of China. The exhibition, which opened last year at an educational center in the eastern city of Huai'an, includes reenactments of prisoners being hung over a fire, flayed and being tortured on what is known as a “Tiger Bench” – pictured above – a Qing dynasty (1644-1912) device that contorted victims' legs and arms in high pressure positions that could break bones or tear apart joints. (Photo by ChinaFotoPress)

Organizers of an exhibition of ancient instruments of torture in Huai'an, Jiangsu province, have suggested that children, heart disease patients and people with high blood pressure stay away because of the vivid depictions of shocking cruelty. The exhibition has more than 200 instruments of torture on display in the 50,000-square-meter exhibition halls of a restored ancient building. Wax figures, along with sound and light techniques, are incorporated for scary effect. The local government said the exhibition is for tourists and historians to research ancient torture practices. (Photo by ChinaFotoPress)
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29 Oct 2014 12:22:00
An actor dressed as a zombie performs during a drive-in haunted house show by Kowagarasetai (Scare Squad), for people inside a car in order to maintain social distancing amid the spread of the coronavirus disease (COVID-19), at a garage in Tokyo, Japan on July 3, 2020. (Photo by Issei Kato/Reuters)

An actor dressed as a zombie performs during a drive-in haunted house show by Kowagarasetai (Scare Squad), for people inside a car in order to maintain social distancing amid the spread of the coronavirus disease (COVID-19), at a garage in Tokyo, Japan on July 3, 2020. A Japanese performance group is starting a run of drive-in horror shows for people who are scared of catching the coronavirus but still want to get close-up frights from ghouls and zombies. Audience members will drive into a garage in Tokyo, one car at a time, and listen to a murder story and sound effects blared out of speakers, as actors dressed as monsters bang on the side of the vehicle and spray fake blood over the windows. (Photo by Issei Kato/Reuters)
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05 Jul 2020 00:05:00
We Build Tomorrow – Sagrada Familia 2026 ( VIDEO )

For more than a century, the Barcelona skyline has been graced (or marred, depending on who’s talking) by the spectacle of the Basilica designed by Anton Gaudi, first started in 1882. If you want to know what it’ll look like when finished, don’t fret — 2026 is right around the corner. Or you can watch this video, released last week on YouTube by Basílica de la Sagrada Família and titled simply “2026 We Build Tomorrow,” a 3-D artists’ rendering of the building stages through completion.
(If 144 years sounds like a long time to finish a cathedral, keep in mind that there were decades that they didn’t work on it — and that Notre Dame de Paris took 182 years, although the 13th century Parisians didn’t have diesel-powered industrial cranes.) Now, if only the video could show us what the admission and hours will be in 2026 (and how to avoid the inevitable long lines).
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11 Jan 2014 10:59:00
Family Tree By Zhang Huan

All the people we meet, all the things we know, and all of our experiences shape our souls, forever marking our faces. This was probably the main idea of the performance piece created by Chinese artist Zhang Huan, in which his face was painted over by three calligraphers with the names of people he knew, personal stories, and random thoughts. Truly, it amazing just how much we can find out about a person just by looking at their face. Surely, not everyone has the ability to see into the soul of the person just by looking at their face, but those that do can easily see the person’s personality, their intelligence, and sometimes even get glimpse into their past. Though it sounds like magic to people who don’t have this ability, it is completely true. Somehow, our mind can pick up on the miniscule changes of the facial structure and figure out the dominant facial expressions of that person. (Photo by Zhang Huan)
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23 Nov 2014 12:47:00
“Two-Handed Saw, 2014”. “Most of the neighbors have switched to power tools to run their households, the buzz of chain saws and weed-whackers overpowering the quieter sounds of country life, but my aunts hold on to the two-handed saw that's decades old, the sickle and scythe that need to be sharpened and polished after each use, the old axe that's becoming heavier each year. Each of these objects is familiar, holding memories of their brother, who succumbed to cancer a few years ago, of days before my grandfather lost his vision in the 50's, of busier days and longer futures”, Sablin told. (Photo by Nadia Sablin)

In northwest Russia, in a small village called Alekhovshchina, Nadia Sablin's aunts spend the warmer months together in the family home and live as the family has always lived, chopping wood to heat the house and making their own clothes. Sablin's book of photographs, “Aunties: The Seven Summers of Alevtina and Ludmila”, is published by Duke University Press. Here: “Two-Handed Saw, 2014”. (Photo by Nadia Sablin)
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25 Feb 2016 12:12:00
Brtukan. “Being a girl of colour in a society where the majority of the people are white, I have had to get used to all the different ways people approach me. From being asked what kind of rap music you listen to and how you wash your hair, to getting told, “you don’t sound black”, “you’re pretty for a black girl” or “you’re not that black so it’s OK”, as if being black is such a bad thing”. (Photo by Lisa Minogue/The Guardian)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)
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17 Aug 2016 11:16:00
A finished Fender Stratocaster is adjusted by Kenneth Maas in the Fender Custom Shop in Corona, Calif. on Tuesday, October 15, 2013. Leo Fender developed the instrument in a small workshop in Fullerton, Calif. six decades ago. (Photo by Matt York/AP Photo)

“Jimi Hendrix made it shriek. Buddy Holly made it swing. Stevie Ray Vaughn made it snarl. Some of the most legendary guitarists in music history have elicited unforgettable sounds from the Fender Stratocaster, the distinctive double-cutaway guitar born in a small Fullerton, Calif., workshop 60 years ago this month”. – Associated Press. Photo: A finished Fender Stratocaster is adjusted by Kenneth Maas in the Fender Custom Shop in Corona, Calif. on Tuesday, October 15, 2013. Leo Fender developed the instrument in a small workshop in Fullerton, Calif. six decades ago. (Photo by Matt York/AP Photo)
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22 Apr 2014 10:52:00
Giant gathering by Tony Wu. “The first indication that something extraordinary was going on were the blows, huge numbers of them – the exhalations of huge numbers of whales. Entering the water, the photographer witnessed an extraordinary scene. Hundreds, possibly thousands, of sperm whales were twirling and twisting through the water, bumping and rubbing against each other, and there was a cacophony of sound – the pulsation, buzz, creak and crackle of whale communication. The picture shows just a fraction of the scene, with the whales stacked up below. Undoubtedly, this was a clan gathering”. (Photo by Tony Wu/Unforgettable Underwater Photography/NHM)

A new book published by the UK Natural History Museum showcases some of the most memorable underwater photographs taken over the last few decades in its annual wildlife photographer of the year competition. Here: Giant gathering by Tony Wu. “The first indication that something extraordinary was going on were the blows, huge numbers of them – the exhalations of huge numbers of whales. Entering the water, the photographer witnessed an extraordinary scene”. (Photo by Tony Wu/Unforgettable Underwater Photography/NHM)
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17 Apr 2018 00:03:00