This Monday, September 15, 2014 photo shows glazed bricks displayed at the Iraqi National Museum in Baghdad. The Islamic State militants seek to purge society of all influences that don't conform with their strict, puritanical version of Islam. That means destroying not only relics seen as pagan but also Muslim sites they see as contradicting their ideology, particularly Sunni Muslim shrines they see as idolatrous as well as mosques used by Shiites, a branch of Islam they consider heretical. (Photo by Hadi Mizban/AP Photo)

Greek actress Katerina Lehou, playing the role of High Priestess, lights a torch during the dress rehearsal for the Olympic flame lighting ceremony for the Rio 2016 Olympic Games at the site of ancient Olympia in Greece, April 20, 2016. Fire spurted from the concave mirror as a priestess, kneeling in her long, pleated dress before a ruined Greek temple, focused the blazing sun's rays on her metal torch. Come rain or shine on Thursday's official lighting ceremony, Rio de Janeiro has now secured its Olympic flame, which will burn in the main Olympic stadium throughout the Aug. 5-21 games. (Photo by Yannis Behrakis/Reuters)

In this Tuesday, July 14, 2015, photo, Phoe Thaw, center, a member of the White New Blood lethwei fighters club, a Myanmar traditional martial-arts club which practices a rough form of kickboxing, stretches during a practice session in their gym on a street in Oakalarpa, north of Yangon, Myanmar. Three of the club's members competed this summer on a stage a world away from the street gym: a mixed-martial-arts “One Championship” event broadcast globally on cable television networks, where fighters could receive $1,000 for each fight, according to coach Myint Zaw who started the traditional fighters' club 15 years ago. (Photo by Gemunu Amarasinghe/AP Photo)

Brick-carving featuring Tang Dynasty (AD 618-907) maids performing musical instruments is seen at the Chinese Music History Museum in Xian University of Architecture and Technology on September 27, 2008 in Xian of Shaanxi Province, China. (Photo by China Photos/Getty Images)

Somalis remove the body of a man killed in a blast in the capital Mogadishu, Somalia Saturday, October 14, 2017. A huge explosion from a truck bomb has killed at least 20 people in Somalia's capital, police said Saturday, as shaken residents called it the most powerful blast they'd heard in years. (Photo by Farah Abdi Warsameh/AP Photo)

This particular Gingko tree (aka Gingko Biloba) is not just any tree. It was reportedly planted by Tang Dynasty's Emperor Taizong, the emperor portrayed in Fang Bingbing's Empress of China, from over a thousand years ago. Take a look at these stunning photos when the Gingko tree displays its full glory in late autumn.

Do you think that history is a science? Well, not exactly. First, and foremost, history is the state's “legend of wars”, it’s official regalia. Of course, public historians are not interested in scientific truth – quite the opposite. In this respect, any attempt to present a state’s history as altruistic and benevolent as possible is welcomed and encouraged – as opposed to any revisionism attempts that may be more accurate. In this matter, Chinese have surpassed us all – they revised in highly creative manner (but rather shamelessly) the technology already invented by Europeans, a process that resulted in oldest state on the planet. Here is an interesting paradox: ask any sinologist about the Middle Kingdom during second century B.C., and he will describe it to you in such a vivid manner as if he has been living there all his life – but as soon as you will ask him to describe Chinese history in the 19-20th centuries… let's say, his eagerness will be greatly diminished. However, we will discuss China in a different article, and in the meantime we will try to understand how exactly historic “legend of wars” is formed and functions – based on a specific and well-known example. A great example is Ferdinand Magellan's first voyage around the world.

Photographer David Emitt Adams creates tintypes on discarded cans he collects from the Sonoran Desert. In his artist statement, Adams says that some are more than four decades old, which have earned a deep reddish-brown, rusty coloration. (Photo by David Emitt Adams)