Spanish actor Antonio Banderas embraces a robot used in the film Automata during a photocall on the third day of the 62nd San Sebastian Film Festival, September 21, 2014. Banderas stars in and produced the science fiction film, which is part of the festival's official section. (Photo by Vincent West/Reuters)

A robot is seen on Mount Etna, Italy on July 4, 2017. Mount Etna, in Sicily, is a test bed for the approximately three-foot high, four-wheeled machine ahead of a future mission to the moon. It is being conducted by the German Aerospace Centre, the agency which runs Germany's space programme. (Photo by Antonio Parrinello/Reuters)

Antonio Banderas attends the photocall for “Pain And Glory (Dolor Y Gloria/Douleur Et Glorie)” during the 72nd annual Cannes Film Festival on May 18, 2019 in Cannes, France. (Photo by Pascal Le Segretain/Getty Images)

Bella Hadid, leads other models, as they wear creations as part of the Fendi Fall/Winter 2022-2023 fashion collection, as guests record the show on their cell phones during the Fashion Week in Milan, Italy, Wednesday, February 23, 2022. (Photo by Antonio Calanni/AP Photo)

A motorcyclist, Helton Garcia dressed as Santa Claus, rides his motorcycle before handing out gifts to children in a rural school in Santo Antonio do Descoberto, state of Goias, Brazil on December 10, 2023. (Photo by Adriano Machado/Reuters)

Passengers watch as The Waverley, the world's last remaining seagoing passenger paddle steamer arrives at Clevedon Pier on June 10, 2011 in Clevedon, England. Built in 1946, the trust which owns and operates the Waverley, is warning that this could be the last season for the vessel and is appealling for more public funding saying it is struggling to make ends meet in the current financial climate due in part to rising fuel costs. Restored in 1973 after service on Loch Long in Scotland, since 2003, Waverley has been listed in the British National Register of Historic Ships core collection as 'a vessel of pre-eminent national importance'. (Photo by Matt Cardy/Getty Images)

A year after hundreds of thousands of migrants and refugees snaked their way across southeastern Europe and onto television screens worldwide, the roads through the Balkans are now clear, depriving an arguably worsening tragedy of its poignant visibility. Reuters photographer, Antonio Bronic revisiting the people-packed locations where he and his colleagues captured last year's diaspora, found empty roads, unencumbered railway tracks and bucolic countryside. (Photo by Antonio Bronic/Reuters)