A butcher blows into the skin of a cow's leg in order to peel it off, on the first market day since the earthquake in Camp Perrin, Haiti, Friday, August 20, 2021, six days after a 7.2 magnitude quake. (Photo by Fernando Llano/AP Photo)

A Palestinian man walks on the beach, as storm winds blow, near a camp for internally displaced on the beach near the Nuseirat refugee in the central Gaza Strip on December 20, 2024, amid the continuing war between Israel and Hamas. (Photo by Eyad Baba/AFP Photo)

Cuban soldiers receive combat training at the Cadets School “Antonio Maceo” November 28, 2001, 30 kilometers East of Havana. (Photo by Jorge Rey/Getty Images)

This picture taken on January 25, 2015 shows a participant taking part in an ice water challenge in Zhangjiajie, central China's Hunan province. Participants were required to stay in an ice pond, holding an ice block while eating ice-cream with an electric fan blowing at them. (Photo by AFP Photo/Stringer)

A massive, 8 metre tall sculpture of Marilyn Monroe, frozen with her dress blowing up, was on display at a shopping mall in downtown Dalian city, northeast China's Liaoning province, on Tuesday, November 14, 2017. The sculpture is a replica of Seward Johnson's Forever Marilyn in Chicago. (Photo by Imagine China/Rex Features/Shutterstock)

Monks take a tiger out of its cage for an afternoon walk June 5, 2001 at the Wat Pa Luangta Bua monastery in Kanchanaburi, Thailand. (Photo by Paula Bronstein/Getty Images)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

Invasion (laser girls) 2017. “I’m always thinking about my art practice, so any experience I have may spike a visual when I have an idea in mind. An example is that, when I was thinking about the Invasion series, I was inspired by Alfred Hitchcock’s movie The Birds (1963). I love Hitchcock’s other movies and have been contemplating a series based on Rear Window (1954). I also find inspiration outside the cinema in music clips and magazines”. (Photo by Michael Cook/Perimeter Books)