U.S. President Barack Obama laughs as he reads the storybook “Where the Wild Things Are” during the annual Easter Egg Roll at the White House in Washington April 6, 2015. Thousands of children gathered at the White House for the annual Easter Egg Roll. This year's event features live music, cooking stations, storytelling, and of course, some Easter egg roll. (Photo by Jonathan Ernst/Reuters)

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

In spring sunsunshine the “Out of Sync” art installation is unveiled on a grass meadow at Somerset House on March 15, 2012 in London, England. Chilean artist Fernando Casasempere hand crafted the 10,000 clay flowers that dominate the Edmond J. Safra Fountain Court. The installation is open to the public at Somerset House from March 16th to April 27th 2012. (Photo by Peter Macdiarmid/Getty Images for Somerset House Trust)

Two female holidaymakers relax on an unidentified beach of England, September 21, 1940, as a soldier, eyes straight ahead, stands guard at a barrier built as a defense against possible invasion by Germany. (Photo by AP Photo)

A person stands near the “Untitled” installation of miniature elevators by Maurizio Cattelan at a preview of the Postwar and Contemporary Art Evening Sale at Christie's auction house on November 4, 2011 in New York City. The 33-inch functioning elevator installation is expected to realize $400,000-$600,000 at the November 8 auction. (Photo by Mario Tama/Getty Images)

A woman sits on a terrace at Tiki hostel in Cantagalo favela, in Rio de Janeiro, Brazil, April 16, 2016. Hostels in a few of Rio's more than 1,000 slums serve not only as a cheap housing alternative for the more adventurous among the estimated 500,000 foreign tourists expected to arrive for the Olympics in August. The establishments also open up the rich culture of the city's shantytowns for travellers, giving them a glimpse into once “no-go” areas where about one-fifth of Rio's population lives. (Photo by Pilar Olivares/Reuters)

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.