In this July 20, 2019 photo, children play during a sports event organized by members of the Caracas FC soccer club, in Catia, one of the poorest slums in Caracas, Venezuela. When the Caracas Football Club plays, its supporters leave their ideological preferences and socioeconomic differences behind, joining together to support and take care of each other inside and outside the stadium. (Photo by Matias Delacroix/AP Photo)

“Unexpected humour”. The Dog and the Faucet, in Kolkata, India on January 2017. (Photo by Pau Buscató/The Guardian)

A male stag beetle walks on a branch in an oak forest near the Spree River in Kersdorf, Brandenburg, Germany, on June 8, 2025. (Photo by Patrick Pleul/picture alliance via Getty Images)

Ernie Lotinga, looking terrified as a gun is pointed in his face, in a scene from the play “My Wife's Family”, at the Garrick Theatre, London. (Photo by Sasha/Getty Images). 24th February 1941

“Say cheese”. Cheetahs jumped on the vehicle of tourists in Masai Mara national park, Kenya. (Photo and caption by Yanai Bonneh/National Geographic Traveler Photo Contest)

ATTENTION! All pictures are presented in high resolution. To see Hi-Res images – just TWICE click on any picture. In other words, click small picture – opens the BIG picture. Click BIG picture – opens VERY BIG picture.

A brown bear is checked by foreign veterinaries and local staff members at the Four Paws Bear Sanctuary in Pristina, on May 9, 2014. (Photo by Hazir Reka/Reuters)

Deal or New Deal, Season 2. Pictured: Meghan Markle, 2006. (Photo by Paul Drinkwater/NBC/NBCU Photo Bank via Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)