An Andean man and a woman, depicting Inca's legendary characters Manco Capac and Mama Ocllo, pose for a portrait in a Uros island at Lake Titicaca before a re-enactment in Puno November 5, 2014. The Uros islands are a group of 70 man-made totora reed islands floating on the lake, which according to Peru's tourism board iPeru is the world's highest navigable lake at over 4,000 meters above sea level. The Uros people fish and hunt, but tourism is their main source of livelihood. (Photo by Enrique Castro-Mendivil/Reuters)

Australian cosplay enthusiast Sunni Daniele dressed up as his favourite character from either animation, comic or video game poses for a photograph during Oz Comic Con in Sydney, Australia, 27 September 2015. Cosplay is a combination of the words 'costume' and 'play' where fans dress up as their favourite Japanese comic characters. (Photo by Dan Himbrechts/EPA)

Natalia Williams dressed as Corpse Bride Emily and Tony Knight as a Mandalorian, arrive at the Bradford Unleashed Comic-Con, an entertainment and comic book convention in England on March 8, 2020. (Photo by Danny Lawson/PA Images via Getty Images)

Afghan boys play soccer in Chaman-e-Hozori park in Kabul City, on November 12, 2021. (Photo by Hector Retamal/AFP Photo)

A cosplayer dressed as Batman wearing the Hellbat suit crosses the road during Day 1 of New York Comic Con at Javits Center on October 07, 2021 in New York City. Comic Con has returned this year after being cancelled in 2020 due to the coronavirus pandemic. (Photo by Alexi Rosenfeld/Getty Images)

Natalia Williams dressed as Corpse Bride Emily and Tony Knight as a Mandalorian, arrive at the Bradford Unleashed Comic-Con, an entertainment and comic book convention in England on March 8, 2020. (Photo by Danny Lawson/PA Images via Getty Images)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)