A cat walks in front of the body of a man killed by unknown gunmen in Manila, Philippines early October 18, 2016. A sign on a cardboard found near the body reads, “Pusher Ako, Wag Tularan”, which translates to “I am a (drug) pusher, don't be like me”. (Photo by Damir Sagolj/Reuters)

Shortlisted: Pooyan Shadpoor, Houcheraghi. While walking along the shore of Larak, Iran – an island in the Persian Gulf – Shadpoor came across this luminous scene. The “magical lights of (the) plankton ... enchanted me so that I snapped the shot”, he writes. (Photo by Pooyan Shadpoor/2016 EPOTY)

Participants enjoy the “Color Me Run” festival in Hanoi, Vietnam, 28 May 2016. The festival which was inspired by the Holi Festival from India, attracted thousands of teenagers this year. (Photo by Luong Thai Linh/EPA)

Dutch muralist Telmo Pieper turned his childhood drawings into toys. He digitally recreated his childhood paper drawings into the shape of reality with the help of Photoshop. The art series contain toys of weirdest looking animals. Animals like alien looking fly, snail with world’s smallest shell and shoe-shaped whale are the part of his kiddie art series. Take a look and enjoy the memories of your childhood as well.

We’re showcasing photo-manipulation by Jan Oliehoek, a Dutch artist with a love for animals, photography and Photoshop. Oliehoek loves creating animal species that somehow never made it into our biology books, such as felines with rodent heads, lambs with the body of a squirrel, zebra rhinos and hippo-frogs! He’s currently having two of his pictures featured in Crazy Photography, an upcoming title from Vivays Publishing

French art director Alexis Persani has collaborated with french photographer Leo Caillard to create a series of in vogue sculptures, entitled “street stone”. The ensembles are achieved through image manipulation, using photoshop to digitally dress the statues in the latest fashion trends. Persani and Caillard created the project as a humorous take on the contrast between contemporary and classic culture, demonstrating the vast metamorphose society has undergone, and continues to.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.