Switzerland's Lea Sprunger in action during the 300m hurdles race during the Weltklasse Zurich Inspiration Games, a virtual international athletics meeting with 30 athletes in eight disciplines at seven venues worldwide, in the Letzigrund stadium in Zurich, Switzerland, Thursday, July 9, 2020. (Photo by Arnd Wiegmann/Reuters)

A worker pulls one of her colleagues on a sled, normally used to transport boxes, in the finish area of the alpine ski venue at the 2022 Winter Olympics, Wednesday, February 16, 2022, in the Yanqing district of Beijing. (Photo by Robert F. Bukaty/AP Photo)

Fashion fans pose outside the main catwalk venue during London Fashion Week Spring/Summer 2017 in London, Britain September 20, 2016. (Photo by Neil Hall/Reuters)

Police gesture in respect towards a monk as they block protesters trying to march to the Asia-Pacific Economic Cooperation APEC summit venue, Friday, November 18, 2022, in Bangkok, Thailand. (Photo by Wason Wanichakorn/AP Photo)

The mother (2nd R) of missing firefighter Xue Ning is helped by other family members as she cries outside the venue of a news conference after trying to demand for more information from government officials, following the explosions on Wednesday night at Binhai new district in Tianjin, China, August 15, 2015. (Photo by Jason Lee/Reuters)

A participant shows off a belt buckle during the 20th annual Seattle Invitationals, an amateur Elvis impersonator competition, in Seattle, Washington January 23, 2015. The event drew hundreds of spectators for 20 contestants at the Crocodile, a venue in Seattle's Belltown neighborhood. (Photo by David Ryder/Reuters)

A young lady poses for the camera as police steward boozers away from pubs and bars in Newcastle, United Kingdom on October 23, 2020. The extra restrictions which servely limits social mixing in hospitality venues will come into effect on October 23, 2020. (Photo by North News and Pictures/The Sun)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.