Retired teacher Geoff Ostling displays his tattooed skin at a portrait session at his home in Petersham on May 11, 2009 in Sydney, Australia. The 62-year old has pledged to donate his skin to the National Gallery in Canberra after his death. Ostling, who did not get his first tattoo until he was in his forties, is now covered in the artwork by artist eX de Merci from neck to ankle with the theme 'all the flowers of a Sydney garden'. (Photo by Lisa Maree Williams/Getty Images)

“Belarus riot police detained scores of demonstrators at a protest rally against President Alexander Lukashenko. Rallies against Lukashenko's rule are rare in the tightly-policed ex-Soviet republic, but protest calls on social networking sites have multiplied in recent weeks as a severe currency crisis has brought economic hardship. Demonstrators gathered peacefully, simply applauding in a coordinated act of protest”. – Af.Reuters.com (Photo by Anton Motolko; Belarus, Minsk; June 22, 2011)

Jane Howorth from national charity the British Hen Welfare Trust holds Liberty the last ex-battery hen to be rehomed on December 29, 2011 in Chulmleigh, England. The rehoming of Liberty signifies the end of the small battery hen cage, which has been phased out and replaced by enriched cages in preparation of the European Union directive banning the smaller cages from January 1, 2012. (Photo by Matt Cardy/Getty Images)

A talented portrait photographer has moved on from capturing traditional human subjects – instead photographing a stunning variety of wild animals. Brad Wilson, 51, stands just feet away from the likes of tigers, rhinos, elephants and primates. Each animal is given the same respect and dignity as any human subject, with Brad setting up a full photographic studio, either at or near sanctuaries and zoos across the U.S. The works are the second part of Brad's Affinity series, which the photographer – based in Los Angeles, California, first started working on in 2010. Here: Orangutan. (Photo by Brad Wilson/Caters News)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

A craftsman works on making human anatomy mannequins on April 23, 2014 in Depok, West Java, Indonesia. The mannequins are made from fiberglass and will be used in schools, hospitals and laboratories. (Photo by Nurcholis Anhari Lubis/Getty Images)

On the November 24, 2025, children are making human faces by collecting fallen leaves in the forest in front of the Yuseong-gu Office in Daejeon. (Photo by Shin Hyeon-jong)

Cat-Friend vs Dog-Friend, Two Humans Acting Like House Pets