A villager carries his injured daughter following a 5.6-magnitude earthquake that killed at least 162 people, with hundreds injured and others missing in Cianjur on November 22, 2022. (Photo by Aditya Aji/AFP Photo)

A team of female cadets takes part in a tug-of-war competition at Budyonny Military Academy of the Signal Corps in St Petersburg, Russia on March 7, 2021. (Photo by Peter Kovalev/TASS/Profimedia)

Animal rights activists, including musician Kris Reichert, center, hold up signs with writing in Italian reading; “Leather: a lethal look” and “I wouldn't wear animal skin even if I were dead” as they stage a demonstration in front of Milan's Duomo gothic cathedral, Italy, Wednesday, September 20, 2017. Milan Fashion Week previews kick off Wednesday with Gucci, leading up to the awards on Sunday night. (Photo by Luca Bruno/AP Photo)

A member of the National Gendarmerie Intervention Group (GIGN) deactivates a bomb from a supposed terrorist during a training exercise in the event of a terrorist attack in collaboration with Recherche Assistance Intervention Dissuasion (RAID) and Research and Intervention Brigades (BRI) in presence of the French Interior minister Bernard Cazeneuve at la Gare Montparnasse, in central Paris on April 20, 2016. (Photo by Miguel Medina/Reuters)

A nun checks her mobile phone as she lies near a victim laid on a ladder following an earthquake in Amatrice Italy, Wednesday, August 24, 2016. The magnitude 6 quake struck at 3:36 a.m. (01:36 GMT) and was felt across a broad swath of central Italy, including Rome where residents of the capital felt a long swaying followed by aftershocks. (Photo by Massimo Percossi/ANSA via AP Photo)

It might have been foggy in the Willamette Valley, but Cerridwen Martin was able to revel in a view of the top of the clouds from the summit of Spencer Butte in Eugene, Ore., on Tuesday, December 16, 2014. Martin was joined by Joe Martinson, right, for the 1.1 mile trek. Fog shrouded much of the city for most of the day. (Photo by Andy Nelson/AP Photo/The Register-Guard)

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.