American singer-songwriter and actress Olivia Isabel Rodrigo poses outside of Amoeba music in Los Angeles, California at the end of August 2021, as her debut album, “Sour”, gets released on vinyl. (Photo by Instagram)

Migrants seeking asylum in the U.S., who returned to the Mexican side of the border to avoid deportation, play soccer in a makeshift migrant camp in Braulio Fernandez Ecological Park in Ciudad Acuna, Mexico, September 22, 2021. (Photo by Go Nakamura/Reuters)

The moon rising above the Forth Rail Bridge in The Firth of Forth from North Queensferry, England on July 16, 2019. (Photo by South West News Service)

A girl reacts while getting a nasal swab sample at a testing and screening facility for the new coronavirus in a hospital in Karachi, Pakistan, Friday, July 17, 2020. (Photo by Fareed Khan/AP Photo)

One of the busiest areas in Birmingham, United Kingdom last night was Ludgate Hill in the city's Jewellery Quarter. Brits enjoying the hottest August day for almost 20 years spilled out of packed pubs on August 7, 2020 after sunbathing on beaches around the country as the mercury rose to 36.4C. (Photo by SnapperSK/The Sun)

The graffiti against the war in Ukraine of the street artist ChemiS in Prague, Czech Republic, March 19, 2022. (Photo by Amos Chapple/Radio Free Europe/Radio Liberty)

In this photo taken on March 16, 2019, 13-year-old Reymark Cavesirano collects left over herring onboard a fishing boat anchored at the mouth of Manila Bay off Navotas City in suburban Manila. Cavesirano, a grade five student, paddles to the anchored fishing boats and helps crew clean their nets, and in exchange collects leftover herring still tangled in the nets. Across the Philippines, there are 5 million child labourers, aged between five and 17, many of them working in dangerous conditions. About 22 million people – a fifth of the population – live below the national poverty line. (Photo by Ted Aljibe/AFP Photo)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)