A Broto dancer prepares himself in a disused house of Bambari, in the centre of Central African Republic, before performing on March 14, 2019. The Broto, belonging to the Banda ethnic group, are known for their traditional dances accompanied by heavy horns made of tree roots. Today this tradition falls into disuse and its history is now forgotten by the new generations. (Photo by Florent Vergnes/AFP Photo)

A five-month-old cheetah seated in the back of a Land Cruiser growls at an outstretched hand after being taken from traffickers in Ethiopia and driven to Harirad, Somaliland, in 2020. This photo is part of the work of more than 100 artists in Why We Photograph Animals, a new collection of wildlife photography that aims to help understand why people have photographed animals at different points in history and what it means in the present. (Photo by Nichole Sobecki/Thames & Hudson)

In this photograph taken on January 29, 2017, Afghan members of a wushu martial arts group led by trainer Sima Azimi (C), 20, pose for a photograph at the Shahrak Haji Nabi hilltop overlooking Kabul. Afghanistan's first female wushu trainer, Sima Azimi, 20, is training 20 Afghan girls aged between 14 – 20 at a wushu club in Kabul, after learning the sport while living as a refugee in Iran. (Photo by Wakil Kohsar/AFP Photo)

A woman smokes marijuana during the annual 4/20 marijuana rally on Parliament Hill in Ottawa, Ontario, Canada, April 20, 2017. (Photo by Chris Wattie/Reuters)

A hummingbird is photographed during the National Orchid Exhibition at the Jose Celestino Mutis Botanical Garden in Bogota, Colombia Septermber 20, 2018. Picture taken September 20, 2018. (Photo by Luisa Gonzalez/Reuters)

“In 1967, Zhang Yaxin was 34 and working as a photojournalist at China’s state-controlled Xinhua News Agency when he was assigned to a top-secret government project. He was to be the official photographer of a new arts program led by Chairman Mao and his wife – the Model Operas. Though he was not to know it then, Zhang would spend the next seven years documenting the evolution of one of the most dramatic and elaborate attempts to redefine artistic sensibilities in modern art history”. – Chengcheng Jiang via TIME. Photo: Raid on the White Tiger Regiment, 1971. (Photo by Zhang Yaxin/Courtesy See+ Gallery, Beijing)