A young boy scoops water from a hand-dug well in the dry riverbed near Matinyani, in the semi-arid Kitui County in southeastern Kenya, 22 March 2015, the World Water Day. Residents of Kitui County and other arid and semi-arid areas of the country have been hard-hit by extremely poor rainfall this year while the government said in previous month that some 1.6 million people countrywide are facing acute starvation due to the drought and will need relief food over the next six months. Residents of Matinyani say they haven't seen a drop of rain in nearly four months. Thousands of Kenyans in rural areas walk tens of kilometers just to fetch water to drink and to be used in their homes. According to an estimate by UNESCO (United Nations Educational, Scientific and Cultural Organization), 17 million people lack access to safe water in Kenya, where the drought is a perennial problem. (Photo by Dai Kurokawa/EPA)

Shamila, 15, from an internally displaced family, adjusts her wedding dress in an old mud house yard, on her wedding day, on the outskirts of Kabul, Afghanistan, Friday, May 19, 2023. “I have no choice. If I don’t accept, my family will be hurt”, she says. Due to poverty and debt, her father had to marry her to a boy at a young age. Her father said that if I did not do this, I might have to give my daughter to someone that I owe. Now, with the money I received from the boy's family, I can pay my debt and treat my son. (Photo by Ebrahim Noroozi/AP Photo)

A young sloth named Gloria, that was rescued after being stolen from the wild destined for trafficking, peeks out of the box it is being taken to be released at the city's Botanical Garden in Rio de Janeiro, Brazil, Monday, March 13, 2023. Gloria was cared for by the Free Life Institute NGO that rehabilitates injured wildlife found in the surrounding Rio area and returns them, when possible, back to the wild. Those that are too injured to be released are sent to other rehab centers or sanctuaries to live out their lives in protected environments. (Photo by Bruna Prado/AP Photo)

In this photo taken on Sunday, February 15, 2015 a girl runs away from a “Mamuxarro” during the carnival, in the small town of Unanu, northern Spain. In the northern Spanish ancient village of Unamu, people dress up as “Mamuxarro”, folkloric figures in white with a red sash and a metal mask to cover their faces as they pursue townsfolk with sticks. According to custom, their “victims” (usually young women) must kneel and kiss the mamuxarro’s knee after he makes the sign of the cross on their forehead. (Photo by Alvaro Barrientos/AP Photo)

Dan surrounded by seven days of her own rubbish in Pasadena, California. If you've never thought about how much rubbish you throw away an honest photographic series will open your eyes. Men, women, couples and families with young children have been photographed lying on their backs surrounded by a week's worth of their own rubbish – from old cartons of milk, used nappies and even tampons. The startling series “Seven Days of Garbage” by Californian photographer Gregg Segal is an unforgettable reminder of the amount of waste a human collects in just seven days. (Photo by Gregg Segal/Barcroft Media)

(L-R) Edmea Pereira, 69, Elsa Rodrigues, 61, and Osmidio Conde, 71, take part in their surf class in Santos, Sao Paulo state, Brazil, March 16, 2016. When work is up, surf is up in Brazil, as a group of retired citizens take to the waves in keep-fit, keep-young sessions at a surf school in the city of Santos. The classes are run for free, three times a week at the Cisco Arana school, which aims to prove that age is just a number. (Photo by Nacho Doce/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)