Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Vietnamese artist Hoang Tien Quyet produces curved paper forms using a difficult technique known as wet-folding. This adds an element of sculpture to the work, making Hoàng’s origami animals truly remarkable. Too little water and the paper dries before the folding is done; too much water, and the paper will rip.

LA-based photographer Mike Kelley has been working on his amazing “Airportaits” for two years. He racked up racked up more than 74,000 air miles on 25 flights to complete the series. (Photo by Mike Kelley/SWINS)

US Vogue’s top fashion editor works with photographers to inject style with sci-fi and fantasy. A new book, “Stoppers: Photographs from My Life at Vogue” by Phyllis Posnick and Vogue’s chief editor, Anna Wintour, highlights the results. Here: Surburban Woman #10, Mountainville, New York, August 2006. (Photo by Steven Klein)

A bull rams inmates seated at a card table in the Convict Poker event at the Angola Prison Rodeo in Angola, La., Saturday, April 26, 2014. Those competing in the rodeo have to pass a physical to be deemed strong and healthy enough, and thousands of others work year-round making arts and crafts to sell at the event, according to the prison's athletic director. (Photo by Gerald Herbert/AP Photo)

5-year-old Rina Kumari rubs her eye while cracking stones on the banks of Mahananda river in Siliguri, northeast India, March 5, 2005. Over 400 million people in India live below the internationally agreed poverty line (living on less than US $1 per day). According to estimates, several hundred thousand children work as labourers and beg on the streets in India. (Photo by Desmond Boylan/Reuters)