Sarah Campbell by Nick Knight and other cover shots – The Face Magazine: Culture Shift at the National Portrait Gallery in London on February 19, 2025. A new exhibition that celebrates iconic fashion images and portraits from The Face, a trail-blazing youth culture and style magazine. Bringing together 200 photographs by over 80 photographers from the 80s, 90s, 00s, the exhibition is an opportunity to see many of these images away from the magazine page for the first time. (Photo by Guy Bell/Alamy Live News)

Broomfield Samson, a rare breed Suffolk punch, and his rider, Alison Carroll, cool off in the River Lune at Loyne Bridge near Gressingham in Lancashire, UK on May 21, 2024. (Photo by James Glossop/ The Times & Sunday Times)

The pedestrian zone on the banks of the “Parco della Pace” at Lake Maggiore is flooded due to flooding, on Thursday, October 24, 2019 in Locarno, Switzerland. (Photo by Samuel Golay/Ti-Press/Keystoen)

Huang Mei-ya in a scene from Lunar Halo by Cloud Gate at Sadler's Wells in London in the last decade of November 2023. (Photo by Tristram Kenton/the Guardian)

The Arcaid awards highlight the best architectural photographs of the year – pictures of everything from giant arenas to tiny huts. The shortlisted photographs will be exhibited at the World Architecture Festival in Berlin, from 16 to 18 November, with an overall winner announced during the event’s gala dinner. Here: The stage for Haduwa Arts & Culture Institute, Ghana. Architect: (applied) Foreign Affairs. Nominated in the Sense of Place category. The open-air auditorium of this arts institute in Apam, Ghana, is built from ultra-strong curved bamboo. (Photo by Julien Lanoo)

The mobile home “De Markies” was an entry in the “Temporary Living” competition 1985 and was conceived as a mobile home. Onthe road it measures 2.00 m by 4.50 m, and once it has arrived at its destination its floorspace can be increased threefold in a matter of seconds. “De Markies” was awarded the Public Prize at the Rotterdam Design Prize 1996. For further information please visit Bothlink.

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)