Palestinian woman Jihan Abu Muhsen prepares her donkey with her son Kareem before going work collecting bricks for sale from sites of demolished buildings, at her dwelling in Khan Younis in the southern Gaza Strip March 8, 2016. Abu Muhsen gathers bricks from the sites of demolished buildings and sells them to recycling factories. She earns around 20 shekels ($5) a day and her 10-year-old son Mohammad helps her when he is not at school. (Photo by Ibraheem Abu Mustafa/Reuters)

The opening of sculptor Carole Feuerman solo outdoor public art show, Sea Idylls, on Park Avenue in NYC on April 27, 2023. The hyperrealistic sculptures in conjunction with Les Galeries Bartoux and Patrons of Park Avenue line the median. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)

This picture taken on September 14, 2024 shows Filipina wrestler “Crystal” fighting her opponent Yuki Kamifuku of Japan (not pictured) during a Middle Kingdom Wrestling (MKW) championship event in Shanghai. Despite a promising potential domestic market, the Chinese pro wrestling community has been battling for recognition and financial stability for decades. (Photo by Wang Zhao/AFP Photo)

Elementary school children play outside their classrooms as mount Sinabung volcano spews thick volcanic ash in the background on February 10, 2017 in Karo, Indonesia. Mount Sinabung is one of the most active volcanoes in Indonesia and last erupted in May 2016, killing seven people. (Photo by Albert Damanik/Barcroft Images)

A gallery staff member walks past Fleeting Monument (1985) by artist Cornelia Parker, one of the works on display at Yorkshire Sculpture Parks Longside Gallery as part of the “Making It: Sculpture in Britain 1977-1986” exhibition on March 27, 2015 in Barnsley, England. (Photo by Christopher Furlong/Getty Images)

Guests pose during a VIP media preview ahead of the opening of The Museum of Selfies in Glendale, California, U.S., March 29, 2018. Tommy Honton, the museum’s co-founder, says: “We don’t want this to be an elite art world, ivory tower thing. Art doesn’t have to be hard to understand – it can be for everyone”. (Photo by Mario Anzuoni/Reuters)

For her series “Dolce Vita in Hell”, Swiss photojournalist Stéphanie Buret headed to Eritrea and found a country struggling to haul itself out of oppression – but with its art deco buildings still looking stunning. (Photo by Stéphanie Buret/The Guardian)

People take pictures of huge waves crash on the Viavelez seafront in the northern Spanish region of Asturias January 2, 2016. (Photo by Eloy Alonso/Reuters)