Participants gather during a traditional hunting contest, involving tamed golden eagles and hawks, in Almaty, Kazakhstan on December 1, 2018. (Photo by Pavel Mikheyev/Reuters)
(L-R) Playmate Victoria Silvstedt, Donald Trump and Melania Knauss at the Playboy 50th Anniversary celebration December 4, 2003 in New York City. (Photo by Peter Kramer/Getty Images)
Mexican training ship “Cuauhtemoc” moves past the Galata Tower in Istanbul, Turkiye on July 18, 2023. “Cuauhtemoc”, which was sent by the Mexican government as a sign of friendship between the two countries on the occasion of the 100th anniversary of the founding of the Republic of Turkiye, arrived at Sarayburnu Port. (Photo by Omer Faruk Yildiz/Anadolu Agency via Getty Images)
A child prays in front of the cenotaph dedicated to the victims of the atomic bombing at the Hiroshima Peace Memorial Park in Hiroshima, western Japan Friday, August 6, 2021. Hiroshima on Friday marked the 76th anniversary of the world's first atomic bombing of the city. (Photo by Kyodo News via AP Photo)
Villagers riding a rickshaw maneuver along an overflowing dam at the border between Cavite province and Las Pinas city, in Las Pinas, Philippines, 25 October 2020. According to Philippine Atmospheric Geophysical and Astronomical Services Administration (PAGASA), Typhoon Molave will make landfall in the evening of 25 October in southern Luzon island. An alert was issued to residents for possible floods and landslides. (Photo by Francis R Malasig/EPA/EFE)
Artists perform during a slum party in Oworonshoki district of Lagos, Nigeria, 24 September, 2024. The slum party is a yearly artistic dance festival initiated by Ennovate Dance House. It highlights the positive sides of the slum community and brings hope to the inhabitants. (Photo by Emmanuel Adegboye/EPA/EFE)
From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.