An elephant in Amboseli National Park in Kenya, June 2021. Gurcharan Roopra, 42, a Nairobi-born engineer-turned-wildlife photographer, has dedicated the past four years of his career to photographing these animals. He spends hours in his workshop camouflaging and encasing his equipment with protective gear before laying his camera in the path of lions, elephants, rhino, zebra and buffalo. (Photo by Gurcharan Roopra/Mercury Press)

A five-month-old cheetah seated in the back of a Land Cruiser growls at an outstretched hand after being taken from traffickers in Ethiopia and driven to Harirad, Somaliland, in 2020. This photo is part of the work of more than 100 artists in Why We Photograph Animals, a new collection of wildlife photography that aims to help understand why people have photographed animals at different points in history and what it means in the present. (Photo by Nichole Sobecki/Thames & Hudson)

Sarah Campbell by Nick Knight and other cover shots – The Face Magazine: Culture Shift at the National Portrait Gallery in London on February 19, 2025. A new exhibition that celebrates iconic fashion images and portraits from The Face, a trail-blazing youth culture and style magazine. Bringing together 200 photographs by over 80 photographers from the 80s, 90s, 00s, the exhibition is an opportunity to see many of these images away from the magazine page for the first time. (Photo by Guy Bell/Alamy Live News)

Two horses appear to burst into laughter before a sweet embrace. The horses both turn their head to look at the camera and flash their teeth, treating the lucky photographer to a rare shot. Moments later the pair show their affectionate side by coming together and “hugging”. Photographer Nir Amos, 34, said he was “amazed” to capture the horses “laughing” in a field near Skógar, in the south east of Iceland on July 31, 2018. (Photo by Nir Amos/Solent News & Photo Agency)

A picture made available on 20 October 2015 shows a foreign tourist posing for a souvenir photograph with a figure of a tiger head at a private zoo on Phuket Island, Thailand, 17 October 2015. Each day hundreds of tourists, including young children, visit the private tiger zoo where visitors are allowed to touch and pose for photographs with unchained tigers inside their enclosures. (Photo by Rungroj Yongrit/EPA)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)

Ever wondered what life is like in miniature? An Italian photographer has perfected his own brand of macro photography with stunning pictures of miniscule drops of dew on flowers. Alberto Ghizzi Panizza, 40, has been a photographer for 18 years and specializes in macro images. All of these pictures were taken on the riverbanks of the Po River, in northern Italy, as Panizza pursued his passion for nature. “I'm deeply fond of nature and animals and always look for the beauty in the world around us”, Panizza said. (Photo by Alberto Ghizzi Panizza/Caters News)

As national soccer teams and the photographers who have been covering them start to trickle home from the Brazil World Cup, it’s time to revisit the “On the Sidelines” project. This Reuters Pictures project was billed as a chance for photographers to share “their own quirky and creative view of the World Cup”. Photo: People watch from outside as a dancer performs inside a bar in Porto Alegre June 21, 2014. In a project called “On The Sidelines” Reuters photographers share pictures showing their own quirky and creative view of the 2014 World Cup in Brazil. (Photo by Marko Djurica/Reuters)