One of a members of the Franciscan Action Network and immigration rights activists is arrested during a demonstration calling for the end of immigrant detention on Capitol Hill in Washington, U.S., July 18, 2019. (Photo by Joshua Roberts/Reuters)

A bride and groom jump over a skipping rope as they pose during a wedding photo shoot at a park in Pyongyang on April 18, 2019. (Photo by Ed Jones/AFP Photo)

Valarie Allman of Team United States competes in the Women's Discus qualification on day four of the World Athletics Championships Oregon22 at Hayward Field on July 18, 2022 in Eugene, Oregon. (Photo by Pawel Kopczynski/Reuters)

Athlets cross the water jump in the womens 3000 meter steeplechase race at the Olympiastadion in Munich, Germany during the 2022 European Championships on August 18, 2022. (Photo by Morgan Treacy/INPHO)

Norwegian actress Renate Reinsve attends the “Armand” Photocall at the 77th annual Cannes Film Festival at Palais des Festivals on May 18, 2024 in Cannes, France. (Photo by Lionel Hahn/Getty Images)

Two miniature pigs, Brad Pigg and Gordon Hamsey, train for racing season at Monk Park Farm near Thirsk, North Yorkshire, UK on March 18, 2025. (Photo by James Glossop/Times Media Ltd)

Families and children play at Brimham Rocks during their half term break in North Yorkshire, UK on February 18, 2025. (Photo by James Glossop/The Times & Sunday Times)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)