US model Bella Hadid poses as she arrives for the screening of the film “Rocketman” at the 72nd edition of the Cannes Film Festival in Cannes, southern France, on May 16, 2019. (Photo by Antonin Thuillier/AFP Photo)

Ferencvaros's David Siger lies on the ground to defend a free kick during the UEFA Champions League Group Stage match between Ferencvarosi TC and Juventus at Puskas Arena on November 4, 2020 in Budapest, Hungary. (Photo by Bernadett Szabo/Reuters)

David Shrigley's new exhibition “Brain Activity” opens at the Hayward Gallery in London, England. Known for his crude and comedic observations Shrigley's “Brain Activity” is the first major survey of his work and will run from February 1 to May 13, 2012.

Photo: A taxidermied artwork of a Jack Russell dog entitled “I'm Dead”.

Three prostitutes lean out of a window in Santiago, Chile, in an attempt to entice customers inside, circa 1950. (Photo by Three Lions/Getty Images)

A close up of a caracal lynx's face looking into a camera on January 2014 in Western Cape, South Africa. (Photo by Dale Morris/Barcroft Media)

A visitor to ''The Cult of Beauty: The Aesthetic Movement 1860-1900'' exhibition at The V&A Museum looks at sculptures by Thornycroft (L) and Watts on March 30, 2011 in London, England. This exhibition brings together for the first time many masterpieces in painting, sculpture, design and furniture as well as fashion and literature and runs from April 2nd to July 17th 2011.

A model takes part in the Necropolis – Tanexpo 2021 international exhibition of funeral accessories, services and commemorative art at Moscow's Expocentre in Moscow, Russia on October 26, 2021. (Photo by Sergei Karpukhin/TASS)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)