Dancers at the Windmill Theatre in London, England practice a routine wearing gas masks and hard-hats with their costumes, 1940. (Photo by Hulton Archive/Getty Images)
A woman poses for a picture next to a caterpillar-tracked Bentley Continental GT, which was modified by Russian car engineering enthusiasts, during a demonstration in St. Petersburg, Russia on June 7, 2019. (Photo by Anton Vaganov/Reuters)
Retired Malam Jabba engineer Akbar Ali skis down the piste at the ski resort in Malam Jabba, Pakistan February 7, 2017. Atop the piste of Malam Jabba in Pakistan's once dangerous Swat Valley skiers schuss downhill, a new Chinese-built chairlift ferries tourists to the peak, and a luxury hotel is under construction to replace one torched by the Taliban. (Photo by Caren Firouz/Reuters)
People view an installation over a lake that forms part of the Enchanted Forest Winter Illuminations at Stockeld Park in Wetherby, North Yorkshire on Monday, November 14, 2022. Light effects, a captivating soundscape, and animated installations come together in the ancient woodland once a year over the Christmas period. (Photo by Danny Lawson/PA Images via Getty Images)
Aerial view of CRH bullet trains setting out ahead of Spring Festival travel rush on January 31, 2018 in Hefei, Anhui Province of China. About 2.98 billion trips will be made during the 40-day Spring Festival travel rush. China will take multiple measures to ensure a smooth Spring Festival travel rush. (Photo by VCG/VCG via Getty Images)
The Tree Projects team spent 67 days documenting one eucalyptus regnans in the Styx valley of Tasmania. Using a combination of tree-climbing and elaborate arboreal rigging techniques, they produced an intimate portrait from an impossible perspective of one of the world’s largest individual flowering trees, which goes by several common names. These photos document the process that resulted in an extraordinary ultra high-definition photograph. Here: Haley nears the top of the tree. (Photo by Steven Pearce/The Tree Projects/The Guardian)
Using digital editing, designer Anton Repponen places Manhattan buildings in desolate landscapes, “inviting viewers to see them as if for the first time”. Here: 8 Spruce Street/New York By Gehry. Photo by Anton Repponen/The Guardian)