Spanish surrealist artist Salvador Dali (1904–1989) viewing the camera through a magnifying glass at his home in Cadaques on the Spanish Costa Brava, 1955. (Photo by Charles Hewitt). P.S. All pictures are presented in high resolution.

Woman waking up with two men in her bed. (Photo by Ilbusca/Getty Images/iStockphoto)

A Nepalese devotee prepares for a religious mask performance during the Seekaali Festival in Khokna village, near Kathmandu, Nepal, 07 October 2016. During the 300-year-old Seekali festival, elderly ethnic Newari devotees wear masks of 14 various goddesses including Lord Ganesha, Lord Shiva, Lord Laxmi, Lord Brahma and Lord Bishnu. The Khokna people celebrate the Seekaali festival as an alternative of the Dashain festival which is biggest festival of Nepalese Hindus that celebrates the victory of the gods over demons. (Photo by Narendra Shrestha/EPA)

People take part in a Halloween street party at Lan Kwai Fong on October 31, 2016 in Hong Kong. Halloween, a contraction of All Hallows' Evening, falls on the day before All Saints' Day on November 1, a holiday when Christians remember their deceased loved ones. (Photo by Lam Yik Fei/Getty Images)

Woman on phone in hotel room. (Photo by DreamPictures/Getty Images)

Geraldine Moodie overcame harsh conditions to become western Canada’s first professional female photographer, capturing beautiful images in the country’s most remote regions. An exhibition, “North of Ordinary: The Arctic Photographs of Geraldine and Douglas Moodie”, is at Glenbow, Calgary, 18 February – 10 September. Here: Inuit woman, Kootucktuck, in her beaded attigi. Fullerton Harbour, Nunavut, February 1905. (Photo by Geraldine Moodie/The Guardian)

Tibetan men get ready to perform a traditional dance during a special prayer ceremony on the third day of the Tibetan New Year celebrations in Kathmandu, Nepal, Wednesday, March 1, 2017. Tibetans follow this ritual called “sangtsol” to ask for good luck in the new year. (Photo by Niranjan Shrestha/AP Photo)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)