People gather for the second annual “Cat Beauty Festival” organized by Royal Veterinary Hospital in Sulaymaniyah, Iraq on July 2, 2025. Around 200 cats participated in the event, where the first round was determined by social media votes. The winner, a cat named “Gule Rana”, was selected by a jury. The festival aims to promote animal love and raise awareness about feline care. (Photo by Fariq Faraj Mahmood/Anadolu via Getty Images)

A member of the Lebanese Army riot-control forces fires a shotgun as they try to disperse a Hezbollah-organised rally to block the road to Beirut International Airport over a decision to bar two Iranian flights from landing there, in Beirut on February 15, 2025. An AFP correspondent said tear gas was fired to disperse crowds on February 15 after again blocking amidst calls by the Iran-backed group for a sit-in. (Photo by Ibrahim Amro/AFP Photo)

A model presents a creation by LARHHA during the Code'41 Andalusian Fashion Week at the Amphitheatre of Italica in Seville on March 21, 2021. (Photo by Cristina Quicler/AFP Photo)

A woman walks depicting a scene from the Iranian national epic poem “Shahnameh” in Tehran on August 5, 2025. (Photo by Atta Kenare/AFP Photo)

Paint-splattered revellers take a break at the Notting Hill carnival in West London in the last decade of August 2022. (Photo by Andy Hall/The Observer)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)

The winners of The London’s Natural History Museum's prestigious Wildlife Photographer of the Year for 2013 have finally been unveiled. Selected from almost 43,000 entries from 96 countries, the winners offer a glimpse of the stunning array of natural beauty on our planet. Photo: Canada: “Lucky pounce”. “Anticipating the pounce – that was the hardest part”, says Connor, who had come to Yellowstone National Park, Wyoming, USA, in search of wildlife as much as the spectacular landscape. He had found this fox, his first ever, on his last day in the park. It was so absorbed in hunting that Connor had plenty of time to get out of the car and settle behind a rock. It quartered the grassland, back and forth, and then started staring intently at a patch of ground, giving Connor just enough warning of the action to come. When it sprung up, Connor got his shot. And when it landed, the fox got his mouse. (Photo by Connor Stefanison/Wildlife Photographer of the Year 2013)

America’s Haunts, a trade association, estimates there are 1,200 for-profit haunted attractions in the U.S. plus another 3,000 haunted houses operated by charities that open for only a day or two every year. The commercial attractions collectively bring in from $300 million to $500 million annually. Fright Nights attendees make a turn through one of four haunted houses at this year's spooking season setup at the South Florida Fairgrounds. This house is named The Smiths and was created by Craig McInnis. (Photo by The Palm Beach Post)