Sun Rongchun, 57, exercises with an improvised cervical traction device attached to a high bar at a sports complex in Shenyang, Liaoning province, China on April 9, 2019. (Photo by Sheng Li/Reuters)

Children play a game as Myanmar celebrates its 72nd Independence Day in Yangon on January 4, 2020. The country is celebrating the 72nd anniversary of its declaration of independence from British colonial rule. (Photo by Sai Aung Main/AFP Photo)

A girl with a ritual garland headdress smiles during a traditional Midsummer Night celebration, in the capital Kyiv, Ukraine, Monday, July 6, 2020. Ukrainian girls believe the ages-old ceremony would help them to find their true love partners, as the pagan Slav festival is still celebrated in Ukraine, as Kyiv has lifted the coronavirus lockdown restrictions. (Photo by Efrem Lukatsky/AP Photo)

People eat sushi off the body of a model at an opening event of a bar in Taiyuan, Shanxi province, August 22, 2015. (Photo by Reuters/Stringer)

Sri Lankan flood victims flock around a bus to receive food parcels on a inundated road in Colombo, Sri Lanka, Tuesday, May 17, 2016. The Disaster Management Center said that 114 homes have been destroyed and more than 137,000 people have been evacuated to safe locations as heavy rains continue. (Photo by Eranga Jayawardena/AP Photo)

Jesse Tyler Ferguson photobombs Miranda Kerr and Orlando Bloom at the 2013 Vanity Fair Oscar party. (Photo by Jon Kopaloff/FilmMagic)

A hairdressing mannequin is seen outside a hair salon amid as Typhoon Matmo hits Nantong, Jiangsu province July 25, 2014. Matmo, which made landfall in Fujian Province on Wednesday, has brought strong winds and heavy downpours to more areas in China after it moved northward on Thursday, Xinhua News Agency reported. (Photo by Reuters/Stringer)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)