Palestinian boy Mohammad al-Bana, 10, sells mints at a market in Gaza City March 29, 2016. Bana, whose father is unemployed, earns around 10 Shekels ($2.5) per day. The boy starts working after finishing school. He hopes to continue education and become an engineer in the future. (Photo by Mohammed Salem/Reuters)

Zamora, 55, self-employed, poses for a photograph in front of the Cuban and U.S. flags after buying a pineapple in Havana, March 25, 2016. Regarding Obama's historic visit to the island, Zamora said “It's good for the Cubans that he came and re-established relationships between the two countries”. (Photo by Ueslei Marcelino/Reuters)

An invited guest enjoys a private listening experience of a test unit of the Sennheiser HE 1 sound system, which is expected to retail for about S$77370 ($55000), in a hotel suite during the CanJam headphone and personal audio expo in Singapore February 21, 2016. (Photo by Edgar Su/Reuters)

A Hindu holy man on his way to the annual holy dip at Gangasagar, gestures towards a visitor as he rests at a transit camp in Kolkata, India, Wednesday, January 6, 2016. Thousands of Hindu pilgrims are expected to take the annual holy dip at Gangasagar, where the Ganges River reaches the Bay of Bengal, on the auspicious Makar Sankranti festival day that falls on Jan.14. (Photo by Bikas Das/AP Photo)

Charles Manson plays up to the camera during a 1988 interview with reporter Geraldo Rivera at San Quentin prison in 1988. Authorities say Manson, cult leader and mastermind behind 1969 deaths of actress Sharon Tate and several others, died on Sunday, November 19, 2017. He was 83. (Photo by AP Photo)

Children's author and charity fundraiser Chris Green, of Embsay, near Skipton, has been dubbed “Rhino Boy” as he has pledged to run 40 marathons and other events dressed as a Rhino to raise money for Save the Rhino on January 2020. (Photo by South West News Service/Yorkshire Post)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)