Carla Bruni attends the L' Oreal Party at the Beach of The Palais du Festival during the 51st Cannes Film Festival on May 13,1998 in Cannes, France. (Photo by Foc Kan/WireImage)

A demonstrator takes part during a rally against Chile's government on the second anniversary of the protests and riots that rocked the capital in 2019, in Santiago, Chile, October 18, 2021. (Photo by Ivan Alvarado/Reuters)

A participant in costume and make-up poses for a photo during a Halloween parade at Walibi park in Wavre, Belgium, October 31, 2018. (Photo by Yves Herman/Reuters)

The “Paolo Di Paolo: Lost World” exhibition presents more than 250 largely unseen images from the photographer’s archive. Di Paolo chronicled life in his country as an economic boom followed the destruction of the second world war. Although those were the years of la dolce vita he was an anti-paparazzo – he shunned the salacious and respected his subjects. The exhibition is at MAXXI, the National Museum of 21st Century Arts in Rome until 30 June. Here: Viareggio in 1959. (Photo by Paolo Di Paolo/National Museum of 21st Century Arts)

A couple sit on the terrase of a cafe in Istanbul as seagulls fly over them on September 10, 2019. (Photo by Ozan Kose/AFP Photo)

A frosty sunset is seen through icicles in Peremilovo village, 65 km (40,6 miles) north of Moscow, Russia, Sunday, December 16, 2018. Temperatures in the Moscow region on Sunday dropped to –12 degree Celsius (10 Fahrenheit). (Photo by Alexander Zemlianichenko/AP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

“Don't take the life too serious”. (Photo by David Olkarny)