Georgie Bain takes a selfie with her horse in “Best Friends” in Aberdeen, United Kingdom, Date Unknown. For the first time, the founders of the Comedy Wildlife Photography Awards have launched a photography award show giving proud pet owners a chance to show off their quirky pets. (Photo by Georgie Bain/Barcroft Images/Comedy Pet Photography Awards)

Andrey Karr from Western Riders Slacklines at sunset above big waves in Nazare, Portugal on December 27, 2017. (Photo by Aidan Williams/National Geographic Travel Photographer of the Year Contest)

On Dale A. Browne’s first trip to Yellowstone, he “got the best shot” he’d ever taken after chasing this weasel for 30 minutes. The trip for the 58-year-old from Manassas, Va., was a gift from his wife and an opportunity to improve his photography skills with the help of guide and professional photographer Tom Murphy. (Murphy did not assist in the taking of this photo). (Photo by Dale A. Browne)

On the streets of Kunming, Yunnan Province, you can find odd couple – a dog and a cat who sits on his four-legged companion. They are Vantsay and Mimi. The owner of animals, a 42-year-old retired policeman Xu Jin is surprised with so strong friendship. “When I got the dog, and I began to take her for a walk, the cat became plaintive, – says the man. – So I bought a leash and began to take her too. Soon, however, the cat began to tire and quickly realized that it is much easier to ride on the back of a dog. ”

Joseph Ford is a 39-year-old photographer from Brighton, UK. He creates images seamlessly camouflaging people into backgrounds using knitwear made by Nina Dodd. It can take Dodd, 51, up to 40 hours to knit one item of clothing. This image of a man posing in knitwear, camouflaging into tiles of the steps and wall, is a personal favourite of Joseph’s. (Photo by Joseph Ford/South West News Service)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)