The photograph you see above isn’t the result of Photoshop or infrared photography. Captured by Spanish photographer Palíndromo Mészáros, it shows what the landscape of Ajka, Hungary looked like half a year after the Ajka alumina plant accident — an industrial disaster in which 35 million cubic feet of toxic waste flooded the land to a height of around 6.5 feet. Mészáros lined up the thick red line caused by the sludge with the horizon line to obtain this surreal image.

“The Sloan Digital Sky Survey III (SDSS-III) has released the largest-ever three-dimensional map of massive galaxies and distant black holes, which will help astronomers explain the mysterious “dark matter” and “dark energy” that scientists know makes up 96 percent of the Universe”. – SDSS-III

French photographer Bettina Rheims poses next to her work, two days before the opening of her exhibition “Pourquoi m'as-tu abandonnée ?” (Why did you abandon me?) at the Museum of Photography Charles Negre, in Nice on June 13, 2024. (Photo by Valery Hache/AFP Photo)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Situated 10km outside Nairobi city centre, this private giraffe sanctuary is centred around a colonial manor house named Giraffe Manor. Living within the grounds is a herd of rare Rothschild giraffe. The giraffes visit twice a day searching for food, before returning to the forest. Although still wild animals, they have become accustomed to receiving treats from residents and guests. (Photo by Klaus Thymann)

The mobile home “De Markies” was an entry in the “Temporary Living” competition 1985 and was conceived as a mobile home. Onthe road it measures 2.00 m by 4.50 m, and once it has arrived at its destination its floorspace can be increased threefold in a matter of seconds. “De Markies” was awarded the Public Prize at the Rotterdam Design Prize 1996. For further information please visit Bothlink.