Cast member Dan Stevens points at Kathryn Newton's heels as they attend a premiere for the film “Abigail” in Los Angeles, California on April 18, 2024. (Photo by Mario Anzuoni/Reuters)

Spanish model Eugenia Silva attends a red carpet for the movie “Poor Things” at the 80th Venice International Film Festival on September 01, 2023 in Venice, Italy. (Photo by Yara Nardi/Reuters)

Performers dressed as zombies arrive to the pier of the Excelsior Hotel on September 6, 2021 during the 78th Venice Film Festival at Venice Lido. (Photo by Yara Nardi/Reuters)

Brazilian model Alessandra Ambrosio arrives at the pier of the Excelsior Hotel on August 31, 2022, on the opening day of the 79th Venice International Film Festival at Lido di Venezia in Venice, Italy. (Photo by Tiziana Fabi/AFP Photo)

American model and actress Taylor Hill attends the gala ceremony of the 77th Venice International Film Festival in Venice, Italy, September 2, 2020. (Photo by Manuel Silvestri/Reuters)

Syrian President Bashar Al Assad watches as Pope John Paul II boards his plane at Damascus airport May 8, 2001 at the end of the Pontiff's four-day visit to Syria.

Films that are being screened are advertised in a makeshift cinema located under a bridge in the old quarters of Delhi, India May 25, 2016. A makeshift cinema hall under a 140-year-old bridge in the Indian capital is allowing poor rickshaw pullers and migrant labourers to escape daily hardship and sweltering heat into a world of Bollywood song, dance and romance. With the rusty iron floor of the bridge as its ceiling and some old rags acquired on the cheap from a nearby crematorium serving as curtains and floor mats, the cinema shows four films a day. (Photo by Cathal McNaughton/Reuters)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)