Secret arrive during the 1st Gaon Chart K-POP Awards at Blue Square on February 22, 2012 in Seoul, South Korea. (Photo by Chung Sung-Jun/Getty Images)

A woman waters the plants outside her house in an alley at a slum in Mumbai October 28, 2014. (Photo by Danish Siddiqui/Reuters)

In this photo taken Wednesday, October 29, 2014, a fisherman catches a fish near the shores of Lake Chivero, west of Harare. Illegal fishing can be hazardous in Zimbabwe, where poachers scan the banks for armed rangers and the water for crocodiles while they cast their rods. The country is in such a dire economic state that thousands of people, unable to find regular work, flock to Lake Chivero in hopes of catching fish, mostly bream, that they can sell for desperately needed income. (Photo by Tsvangirayi Mukwazhi/AP Photo)

Folk artists perform at an local opera ahead of Lantern Festival to celebrate Lunar New Year, in Tianshui, Gansu province, China, February 10, 2017. (Photo by Reuters/Stringer)

A girl walks in front of a graffiti painted on the wall of a house located inside the 15th-century complex built by Mameluk Sultan al-Ashraf Qaitbey, in Cairo's City of the Dead, Egypt February 13, 2017. (Photo by Amr Abdallah Dalsh/Reuters)

A mural signed by “TV Boy” and depicting Pope Francis and U.S. President Donald Trump kissing, is seen on a wall in downtown Rome, Italy on May 11, 2017. (Photo by Tony Gentile/Reuters)

The Perth-based photographer and journalist Frances Andrijich has travelled the Western Australian coast since the early 90s, capturing clotheslines in all their glory. In her images they take the roles of play equipment, Christmas trees and, in the summer, a homemaker’s dream. Andrijich admits she is hopelessly hung up on clotheslines; her latest book celebrates them under the spotlight of the Australian sun. Here: Vera Germanis hangs out underwear in Frances Andrijich’s grandparents’ backyard. This was the photographer’s first clothesline shot, taken in Midland Junction in 1991. (Photo by Frances Andrijich)

Andrew Parkinson, animal behaviour category winner: Crepuscular Contentment, Derbyshire. “In 15 years of working with badgers I’ve never seen a badger sit out in the open to have a scratch. I was sat concealed behind a tree and downwind so it was especially nice that the badger had his back to me, demonstrating just how inconspicuous and inconsequential my presence was”. (Photo by Andrew Parkinson/British Wildlife Photography Awards 2017)