Students of Kiev's Olympic College perform during a rally in front of the Parliament building in Kiev, Ukraine, 15 September 2020. Students were protesting against the reorganization of the college, at risk of being closed, and the land where it rises which could end up for sale along with the facility's stadium. (Photo by Sergey Dolzhenko/EPA/EFE)

People clean up debris at a traditional market damaged by flood after torrential rain on August 09, 2022 in Seoul, South Korea. The heaviest rainfall in 80 years has pounded Seoul and surrounding regions, leaving seven people dead and six others missing, as well as flooding homes, vehicles, buildings and subway stations, government officials said. (Photo by Chung Sung-Jun/Getty Images)

Local resident Rita holds a cat while her neighbour Raisa saws firewood next to their residential building heavily damaged by permanent Russian military strikes in the front line town of Avdiivka, amid Russia's attack on Ukraine, in Donetsk region, Ukraine on November 8, 2023. (Photo by Serhii Nuzhnenko/Radio Free Europe/Radio Liberty via Reuters)

Holloways Beach resident Lisa Methven watches the storm across the Coral Sea as Cyclone Jasper approaches landfall in Cairns in far north Queensland on December 13, 2023. A tropical cyclone was building strength as it rolled towards northeastern Australia on December 13, with authorities warning “life-threatening” floods could swamp coastal regions for days. (Photo by Brian Cassey/AFP Photo)

Indian people bang utensils and clap from the balconies of a residential building in Mumbai, India, 22 March 2020. Prime Minister Narendra Modi asks citizens to impose self-curfew to fight Coronavirus COVID-19 and also ask them to clap, bang the bells and utensils at 5pm Indian time to mark of respect and to thank the medical staff and others working 24 hours, during Covid-19 outbreak to keeping the Indians safe. (Photo by Divyakant Solanki/EPA/EFE)

German artist Robert Rickhoff re-interprets the idea of public space with humor through a series of digitally manipulated photographs in a project entitled “out of place”. Rickhoff augments scenes within a seemingly commonplace environment to depict impractical yet lighthearted situations – including a playground slippery dip facing towards a busy road to a speed bump placed in an unassuming residential street that is actually a daredevil ramp. the visualizations are subtle yet provocative, forcing the audience to look twice to notice the unusual setting infused with tongue-in-cheek wit.