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Horvat started out as a photojournalist. Meeting Henri Cartier-Bresson in 1951 proved to be a milestone in his career, leading to a two-year trip to Asia and exhibiting internationally, including in the 1955 show The Family of Man at New York's Museum of Modern Art. Here: Prostitutes, Bois de Boulogne, 1956. (Photo by Frank Horvat/The Guardian)

Born in 1958 in Abbazia, Italy, Frank Horvat is considered one of the founding fathers of French fashion photography. Frank Horvat: Storia di un Fotografo is on at Palazzo Chiablese Musei Reali, Turin, until 16 June. Here: Prostitutes, Bois de Boulogne, 1956. (Photo by Frank Horvat/The Guardian)
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01 Jun 2018 00:05:00
Giovan set out to capture the people’s resilience, during what Fidel Castro, with typical hyperbole, called the “special period”. (Photo by Tria Giovan/The Guardian)

As an American in 1990s Cuba, Tria Giovan risked being branded a traitor. But the photographer continued to visit and, from the dance hall to the hair salon, she captured the resilient spirit of the Cuban people. The 120 images in Tria Giovan’s “The Cuba Archive” are from the period in the 90s when, as an American, travel to Cuba could have seen her branded a traitor, as the country was subject to a US trade embargo. Her trip required lots of planning – and patience. (Photo by Tria Giovan/The Guardian)
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21 Sep 2017 09:04:00
Take my picture! Apartment dogs in the East Village are always happy to be out for a walk. (Photo by Mark McQueen/Caters News Agency)

These hilarious images show dogs enjoying a day out exploring New York’s most iconic tourist hotspots Photographer Mark McQueen captured the canines hanging out near landmarks like the Brooklyn Bridge, on 5th Avenue and Times Square. Here: Take my picture! Apartment dogs in the East Village are always happy to be out for a walk. (Photo by Mark McQueen/Caters News Agency)
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03 Nov 2017 07:43:00
Kickflip. (Photo by J.P. Andrews/Mike Andrews/Caters News Agency)

These images are enough to make viewers do a double-take. Although they look like vibrant works of abstract art, they are actually drone photographs taken by brothers J.P. and Mike Andrews, from near Wolverhampton, England. Here: Kickflip. (Photo by J.P. Andrews/Mike Andrews/Caters News Agency)
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16 Jan 2018 06:19:00
“A Balinese man shows off his pride and joy, a fighting cock, while on a cigarette break after a morning’s work in nearby fields”. (Photo by Coltrane Koh/The Guardian)

“A Balinese man shows off his pride and joy, a fighting cock, while on a cigarette break after a morning’s work in nearby fields”. (Photo by Coltrane Koh/The Guardian)
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05 Feb 2018 06:56:00
Cropped shot of a woman flirtatiously touching leg of man in a suit with her foot under the table. (Photo by LightField Studios/Skyfish Digital Media/Getty Images)

Cropped shot of a woman flirtatiously touching leg of man in a suit with her foot under the table. (Photo by LightField Studios/Skyfish Digital Media/Getty Images)
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20 Mar 2018 00:05:00
Photographer Loes Heerink spent hours waiting on bridges in Hanoi to capture the street vendors who walked underneath. She recently launched a Kickstarter project to publish a book of these images. Here: “In Hanoi there are a lot of street vendors who roam the city with their bicycles trying to sell goods, from vegetables to flowers”. (Photo by Loes Heerink/The Guardian)

Photographer Loes Heerink spent hours waiting on bridges in Hanoi to capture the street vendors who walked underneath. She recently launched a Kickstarter project to publish a book of these images. Here: “In Hanoi there are a lot of street vendors who roam the city with their bicycles trying to sell goods, from vegetables to flowers”. (Photo by Loes Heerink/The Guardian)
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05 Nov 2016 12:16:00
Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)

Born with a rare condition, the artist has chronicled her life in portraits – capturing everything from her tattooed prosthetics to the tentacled creature she stitched together on the shores of Naoshima. Here: Ophelia (2013). From a series of photos of imagined women exhibited at the 2013 Aichi Triennale. Here, Katayama invokes Hamlet’s tragic heroine, after the painting by British pre-Raphaelite John Everett Millais. (Photo by Mari Katayama/The Guardian)
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07 Mar 2017 00:04:00