A man carries a woman across a river at Petit Goave where a bridge collapsed during the rains of the Hurricane Matthew, southwest of Port-au-Prince, October 5, 2016. (Photo by Hector Retamal/AFP Photo)
A man looks at a photograph by French photographer Robert Doisneau entitled “The Fate Line: Pablo Picasso at Vallauris, 1952” during the presentation of the photo-exhibition “Picasso, photographer's gaze”, on June 5, 2019 at the Picasso Museum in Barcelona. (Photo by Lluis Gene/AFP Photo)
In this picture taken on October 28, 2017, former Japanese p*rn star Mana Izumi checks her new tattoo at a tattoo studio in Tsurugashima, Saitama prefecture. Tattoos still provoke deep-rooted suspicion in Japan as the country prepares to host the 2020 Tokyo Olympics. People with body ink are refused entry to public swimming pools, bathing spots, beaches and often gyms, while visible body art can be harmful to job prospects. (Photo by Behrouz Mehri/AFP Photo)
In this Tuesday, February 5, 2019, photo, fire-eater performs during celebrations of the Lunar New Year in the Chinatown district of Manila, Philippines. This year is the Year of the Earth Pig in the Chinese Lunar calendar and is supposed to represent abundance, diligence and generosity. (Photo by Bullit Marquez/AP Photo)
Female Competitors pose onstage during the annual Mr. Korea competition on July 7, 2004 in Seoul South Korea. Mr. Korea, organized by the National Body Builder's Association, is one of the biggest bodybuilding competitions in Asia. (Photo by Chung Sung-Jun/Getty Images)
PALEMBANG, SUMATRA, INDONESIA - NOVEMBER 14: Fitriyani Fitriyani (L) of Indonesia and Janice Ng (R) of Singapore compete in the Sport Climbing Womens Speed Track Finals on day four of the 2011 Southeast Asian Games at Jakabaring Sports Complex on November 14, 2011 in Palembang, Sumatra, Indonesia. (Photo by Matt King/Getty Images)
Vintage Newton, a pop-up exhibition of Helmut Newton prints from 1974-1984, opens in west London at the ONGallery. These prints, which feature Charlotte Rampling and Elsa Peretti, were produced from a series of transparencies that he considered his most provocative and important. Here: Saddle II. (Photo by Helmut Newton)