A group of hikers atop Mount St. Helens on July 21, 2016. Mount St. Helens or Louwala-Clough is an active stratovolcano located in Skamania County, Washington, in the Pacific Northwest region of the United States. It is 96 miles south of Seattle, Washington, and 50 miles northeast of Portland, Oregon. (Photo by Raxit Kagalwala)

Mounted cop in action on Tremont Street in Boston, Massachusetts, 1920 – 1929 (approximate). (Photo by Leslie Jones)

Mount Kilimanjaro looms behind an elephant at Amboseli National Park in southern Kenya, 2024. (Photo byYaron Schmid/YS Wildlife Photography/Solent News)

“The 2008 Sichuan earthquake or the Great Sichuan Earthquake was a deadly earthquake that measured at 8.0 Ms and 7.9 Mw occurred at 14:28:01 CST (06:28 UTC) on Monday, May 12, 2008 in Sichuan province of China, killing an estimated 68,000 people”. – Wikipedia

Photo: A woman cries as she cannot find her 4-year-old daughter and husband on the top of the ruins of a destroyed school in earthquake-hit Beichuan county, Sichuan province, May 17, 2008. (Photo by Jason Lee/Reuters)

This photograph taken on June 4, 2022 shows fish vendor Somporn Thathom sitting at her stall as a passenger train passes through the Mae Klong railway market in Samut Songkhram province, around 80 kms (50 miles) southwest of Bangkok. Six times a day at the market, local customers and foreign tourists scramble into nooks and crannies while vendors calmly move their woven baskets of goods away from the tracks and close their umbrellas. (Photo by Manan Vatsyayana/AFP Photo)

Personal trainer Antonietta Orsini carries out an exercise class for her neighbours from her balcony while Italians cannot leave their homes due to the coronavirus disease (COVID-19) outbreak, in Rome, Italy, March 18, 2020. (Photo by Remo Casilli/Reuters)

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.